In this extract from The Girl in the Band, Australian singer Belinda Chapple sheds lights on the harsh realities behind the glamour of the entertainment world, from exploitation to mental health struggles
Residing pressure
‘Nice, girls, really nice!’ exclaimed [Bardot’s manager] Grant Thomas, on one of the rare occasions he popped in to see one of our rehearsals.
It was 4pm. We were back in Sydney and had been rehearsing since 7am.
‘I can’t think straight,’ I sighed, propping myself up against the dance studio mirror.
‘I can’t even s-s-s-peak!’ said Sophie, over-dramatising the words. My prankster jokes were becoming less frequent, but we were still trying to make each other laugh.
‘You can kick the bucket tomorrow night, not today. We have to perform this concert tour first!’
Bardot was in full-time rehearsal mode for our media events and live performances. It was August 2000, and our first full concert performance was the next day. The tour schedule was relentless, but we were excited. We all loved this show—the costumes, the stage design, the set list, the choreography—it was all great, and we had a ball performing it.
At this time, a normal week for Bardot was six long days if we were lucky, seven if we weren’t. We would be up by 6am, then off to an early breakfast before radio interviews, then hair and make-up for a shoot, maybe get on a plane to a different city, and then spend the afternoon doing in-store signings and performances, then rehearsals and fittings for upcoming performances. I didn’t know how we were going to add daily concerts to this jam-packed schedule.
On stage, the performances were intense, and security had to keep a close eye on the crowds for us. Sometimes we were directed from backstage directly to a waiting bus. On one occasion, the crowd had become uncontrollable and we were told to walk off stage quickly and calmly, instructed to stop for no one.
The stress was definitely taking its toll on us. We never really got to rest as we felt the expectation to be available for fans and cameras 24/7. Some fans were following us everywhere. Paparazzi once captured a photo of Sophie and me walking straight past a young fan holding a notebook and pen, making it look like we had ignored him. It made the headlines the next day.
‘I didn’t even see this poor boy! And this article is factually incorrect.’ I told Sophie the next day.
It was my first experience seeing myself degraded in a tabloid, but it wouldn’t be my last.
The truth was, we had become overnight celebrities, and the fanbase for Popstars and Bardot was increasing every day. Suddenly, anything with our faces on it would sell, so we were the new favourite target of the press. The relationship between celebrity and the media is tricky because it’s symbiotic—each relies on the other to maintain its profile, but at the same time, it feels toxic and debasing. A lot of our coverage was newsworthy and constructive, but the more famous we became the more sensationalist our ‘news’ was.
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Making us seem callous was one thing, but I burst into tears after reading a particularly nasty review one morning. The journalist had taken it upon themself to critique everything about Bardot, from our vocals to our choreography, our outfits and even our bodies. This was a really low blow.
Mum and Dad had been collecting all the articles reporting on their daughter, so I called Mum to discuss it.
‘Mum, did you see that review today?’
‘I did, darling. It’s only words. These critics probably can’t find any joy in any show. It says more about them than it does about you. Just focus on the fans; they’re the ones who matter, and they love you.’
I knew Mum was right, but I wanted to be received as a true performer. I was sure we were good, but these words had planted a seed of doubt. Management had told us to ignore the reviews, but it was impossible to escape them. It is devastating to be criticised so harshly when you’re giving your everything.
I held the phone at arm’s length for a moment so Mum wouldn’t hear my tears. I had signed up for this and I didn’t want to burden her with the sadness I was now feeling.
Words do have the power to hurt. These words would ring in my ears and come back to haunt me on my most vulnerable days.
And some words have an especially big impact. When Sophie was walking to the car one day, two boys in private school uniforms made rude comments about her physique.
She was devastated, as was I. Beautiful Sophie with her stunning physique.
I was angry on her behalf, and didn’t understand how she could even believe it, but young people have very delicate relationships with their bodies, and ours were already under so much scrutiny. The consequences of words like these can be disastrous.
I can’t imagine how difficult it must be for celebrities today, who have online trolls posting nasty things on their social media accounts.