Cover Sindhu Vee has made it as one of Britain’s best comedians with her fresh, female and Asian perspective (Photo: Getty Images)

From Sindhu Vee to Sabrina Wu, these female and non-binary stand-up comedians are redefining what it means to be ‘funny’ by incorporating cultural nuances from their Asian heritage

It’s safe to say that the stand-up comedy scene is buzzing—and has been buzzing for the past several decades—but many of the comedians have been men, and predominantly Western. This means that their perspectives and their specific cultural codes have come to shape what is thought to be funny on a global scale.

However, in the past decade, thanks to viral moments and the rise in popularity of short-form videos on social media platforms, a more diverse range of comedians—such as Asian women and non-binary individuals—have been able to reach a wider audience and to their voices and stories. Here we highlight five female and non-binary comedians who are bringing cultural diversity to the stage and broadening the scope of humour.

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1. Sindhu Vee

British Indian comic Sindhu Vee came on to the scene in 2012, and has since performed on major stages, including the Apollo Theatre in London, appeared on panels for popular British comedy shows such as QI and Have I Got News For You, and even landed roles in the 2019 Netflix series Sex Education and the 2022 film Matilda: The Musical.

Vee’s sets encompass her experience as a mother, her relationship with her husband and parents, the cultural nuances of being an Indian in the UK, and other topics that range from the mundane to politics. She draws the audience in with her elegant storytelling, and always sticks the landing of the joke with zinger delivered in a no-nonsense tone. 

2. Atsuko Okatsuka

Born to Taiwanese and Japanese parents, Los Angeles-based Atsuko Okatsuka has made a severe bowl cut, bold outfits and eccentric on-stage presence her signature style since 2019. She also uses repetition, audience interaction and absurd bits to constantly engage and surprise her crowd.

Okatsuka’s comedy covers topics related to her heritage, from sharing deep inter-generational trauma she carries from her close-knit family and being mixed Asian, to lighter subjects like comparing how she and her Caucasian friends approach food culture, hobbies or allergies.

3. Sashi Perera

One of Sashi Perera’s most viral jokes is about her confusion regarding how colonialists operated successfully in countries with hot climates, given how much sunscreen Caucasian people need to use to not burn today. Her soft-spoken delivery, gentle-yet-knowing smile and rising inflection at the end of her sentences make the joke charming, as opposed to charged, which softens the blow of her frank humour.

The Australian Sri Lankan comedian turned to the profession in 2018 after facing burnout as a refugee lawyer, as well as seeking an outlet to express the misogynistic experiences she faced within her community. Perera is now part of a stand-up collective, Brown Women Comedy, dedicated to representing Indian, Pakistani and South Asian comedians and hosting shows in Australia.

4. Sabrina Wu

Non-binary comedian Sabrina Wu might seem awkward upon first reception, but their sets quickly develop into a rapid pace and volume that emphasise and exaggerate the ridiculousness of a situation. The American Chinese comic draws from personal experiences, from reflecting upon childhood books to facing biased perceptions of their queer identity.

Wu, who began doing stand-up in 2022, has already broken into film and television with roles in Joyride (2023) and Abbott Elementary (2024)—both productions are led by women of colour and feature a diverse cast.

5. Zarna Garg

Stay-at-home mum Zarna Garg began doing stand-up comedy in 2018, encouraged by her children, when she was 43 years old. The Indian comic moved to America in the ’90s with her husband, and much of her material revolves around the cultural differences of raising first-generation Indian American children.

Garg’s jokes often take a tone of “disappointment” when she relays stories of her children, for example them needing to see an expensive therapist or choosing pottery over computer science classes at college. However, her sharing a more traditional point of view reveals the absurdity of the tough-love her generation was given, and how the Indian community can be hard-going on young people who aren’t doctors, lawyers on engineers. It’s clear from her sets that she adores her family, and wants to celebrate them. 

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