Why everyone’s going on solo trips (and loving it)

Solo travel isn’t just about your gap-year backpacker stereotype anymore. The average age of solo travellers has increased from 36 to 39 since the pandemic, reflecting a maturing market for independent adventure tourism. These are professionals, digital nomads, and career-breakers seeking more than just Instagram moments—they’re after genuine connection and personal transformation.

Thailand, Japan and Indonesia are among the top choices for solo travellers for their safety, affordability and immersive cultural experiences. But it’s not just about beaches and temples anymore. Solo travellers are becoming more mindful of their environmental impact, preferring eco-friendly accommodations, sustainable transport options and supporting local businesses.

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There is a particular quality to the way Peter Woo moves through a room—not with the swagger of someone who has built an empire, but with the grace of someone who understands that legacy is built in the margins—the quiet spaces between ambition and action. At 79, he possesses a defiant vitality that makes one reconsider the boundaries we place on human potential. His handshake is firm, his gaze direct, and there’s a glint in his eye that suggests he’s perpetually three moves ahead in a game most of us don’t even know we’re playing.

This is not the Peter Woo of corporate press releases. The Woo Tatler sits down with was sent alone, as a 12-year-old boy, on a journey around Europe by parents who believed that real education is what happens when you’re forced to navigate uncertainty without a safety net. 

Read the full interview here.

In a bustling, high-density city like Hong Kong, family luxury lies not merely in square footage but in design that nurtures both togetherness and individual needs. In the penthouse at Mont Verra, in Beacon Hill, Jessica Jann has found a spacious sanctuary where every space, from the expansive living areas to the intimate master suite, allows for both family connection and private retreat.

The penthouse’s architectural sophistication begins with its duplex layout, featuring several en-suite bedrooms and a living room crowned by distinctive double-height ceilings. Floor-to-ceiling windows frame panoramic views of Hong Kong and Kowloon while curved design elements and translucent glass partitions create a natural flow throughout the public areas. For Jann, whose family life centres around collective experiences, these interconnected spaces provide the perfect setting for daily rituals.

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The auction hammer fell at CHF14 million this November, and with it came the inevitable headlines: another record, another eye-watering sum, another Patek Philippe reference 1518 in stainless steel proving its supremacy. At approximately US$17.6 million (HK$171 million), Phillips had just sold the most expensive vintage Patek Philippe wristwatch ever auctioned—the very first known steel example of a watch introduced in 1941 as the world’s first series-produced perpetual calendar chronograph.

But here’s what matters more than the number itself: this sale, alongside a constellation of other results from Geneva’s recent auction season, suggests the luxury watch and jewellery market has finally moved beyond its adolescent phase of breathless hype and into something more interesting—a mature, analytically-driven collector landscape that values nuance as much as it does rarity.

Read our editorial opinion piece here.