The recent theft of the crown jewels of France from the Louvre has put a spotlight on the vulnerabilities of the world’s greatest museums—many of whom have survived heists themselves (Photo: Unsplash/ Mika Baumeister)
Cover Long after the alarms fell silent, the Louvre and other prestigious institutions remain inspiring places to visit (Photo: Unsplash/ Mika Baumeister)
The recent theft of the crown jewels of France from the Louvre has put a spotlight on the vulnerabilities of the world’s greatest museums—many of whom have survived heists themselves (Photo: Unsplash/ Mika Baumeister)

Even the Louvre has been hit twice: once losing the ‘Mona Lisa’, and now the French crown jewels. These legendary museum heists reveal how even the world’s most secure galleries can fall to cunning thieves

Seven minutes was all it took for museum robbers to pull off an audacious daytime heist at the Louvre on October 19, allowing them to make off with the crown jewels of France—a haul worth an estimated €88 million. The cultural loss, however, is beyond measure.

The incident has raised troubling questions about museum security, not just in Paris but across the world’s great galleries. Even the most celebrated institutions are not immune to the occasional lapse in vigilance. And while the scale of this robbery seems cinematic, history proves it’s far from unprecedented.

Here’s your dossier of six of the world’s most famous museums and the heists that have taken place in the not-too-distant past—equal parts history, audacity and pure cinematic chaos.

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The Mona Lisa theft (Louvre, Paris, 1911)

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The theft of the ‘Mona Lisa’ in 1911 actually helped propel it to icon status (Photo:
Above The theft of the ‘Mona Lisa’ in 1911 actually helped make it a global icon (Photo: Unsplash/Bo Zhang)
The theft of the ‘Mona Lisa’ in 1911 actually helped propel it to icon status (Photo:

Where: Louvre Museum, Paris, France
The take: Leonardo da Vinci’s Mona Lisa
The thief: Vincenzo Peruggia (arrested in 1913)

On the morning of August 22, 1911, museum staff discovered that the Mona Lisa simply wasn’t there. Leonardo Da Vinci’s most famous painting had vanished overnight. It was an incredibly simple plan: Vincenzo Peruggia, an Italian handyman who once worked at the Louvre, walked into the museum at 7am on the day before. He wore a white smock like other museum staff, and had simply waited until the Salon Carré was empty before lifting the Mona Lisa off its pegs. He wrapped the painting in his smock, tucked the package under his arm and walked out of the Louvre. Museum staff did not notice that it was missing until the next day.

Incredibly, Peruggia kept the Mona Lisa in his apartment for two years, wrapped and inside a trunk, before attempting to sell it to an Italian dealer in Florence. The dealer alerted police, Peruggia was apprehended, and the Mona Lisa finally made its way back to the Louvre in 1913.

The fallout
Peruggia claimed patriotism: he believed La Gioconda belonged in Italy. After a brief jail term, he became an accidental folk hero in his homeland. The Mona Lisa was not the global icon that it is today; in fact, the theft and the succeeding furore helped make the painting universally famous—proof that sometimes a scandal is better marketing.

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Isabella Stewart Gardner Museum theft (Boston, 1990)

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Isabella Gardner Stewart Museum, Evans Way, Boston, MA, USA (Photo: Unsplash/Hanyang Zhang)
Above Thirteen masterpieces were stolen from the Isabella Stewart Gardner Museum in Boston’s most haunting art mystery (Photo: Unsplash/Hanyang Zhang)
Isabella Gardner Stewart Museum, Evans Way, Boston, MA, USA (Photo: Unsplash/Hanyang Zhang)

Where: Isabella Stewart Gardner Museum, Boston, USA
The take: 13 works of art valued at over US$500 million, including Vermeer’s The Concert and Rembrandt’s Storm on the Sea of Galilee
The thieves: two unidentified men posing as police officers; never caught

The story
In the early hours of March 18, 1990, two men dressed as Boston police knocked on a side door at Isabella Stewart Gardner Museum, claiming to investigate a disturbance. The museum guards let them in without question, and within minutes, they were tied up in the basement while the thieves roamed the galleries for over an hour, methodically cutting paintings from their frames. Among them were The Concert, one of only 34 known paintings by the Dutch Master Johannes Vermeer—and now widely known as the most valuable unrecovered painting in history—and Rembrandt’s Storm on the Sea of Galilee, the painter’s only seascape.

Also taken were other works by Rembrandt, Edgar Degas, Édouard Manet and Govert Flinck. Experts say that there were more valuable works left untouched, calling into question the thieves’s motives and targets. The artworks vanished into legend—to this day, there have been no ransom demands, no suspects and no works recovered.

The fallout
Despite decades of FBI investigations, tips and a US$10 million reward, none of the works have been found. The empty frames still hang in the museum as placeholders as a haunting tribute to beauty lost to greed.

The Van Gogh Museum robbery (Amsterdam, 2002)

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Van Gogh Museum, Armsterdam, Netherlands (Photo: Unsplash/Rasmus Kuber)
Above Two early Van Gogh paintings was stolen from the Van Gogh Museum in the Netherlands (Photo: Unsplash/Rasmus Kuber)
Van Gogh Museum, Armsterdam, Netherlands (Photo: Unsplash/Rasmus Kuber)

Where: Van Gogh Museum, Amsterdam, Netherlands
The take: View of the Sea at Scheveningen (1882) and Congregation Leaving the Reformed Church in Nuenen (1884)
The thieves: Octave Durham and Henk Bieslijn

The story
Before dawn on December 7, 2002, two men scaled the museum’s roof with a ladder, broke a window and slipped inside. In less than four minutes, they had grabbed two early Van Gogh paintings—chosen only because they were small and were near the exit window—and escaped down a rope; on his descent, one of the thieves damaged a painting and left behind a baseball cap.

The duo, later identified as Octave Durham and Henk Bieslijn, sold the paintings a few months later to Raffaele Imperiale, a leader of the Italian mafia. Durham and Bieslijn were nevertheless caught over a year later and sentenced to four-and-a-half and four years in prison, respectively.

The fallout
In 2016, the paintings resurfaced during a raid on the Naples home that used to be occupied by Imperiale—police found the paintings in a secret wall cavity in the kitchen, slightly damaged by moisture but intact. After 14 years, they were returned to Amsterdam, a rare redemption story in the annals of art crime.

The Green Vault burglary (Dresden, Germany, 2019)

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The Green Vault, Dresden, Germany (Photo: Nodir Kholilov)
Above The total value of items taken from The Green Vault has been placed at around €113 million (Photo: Nodir Kholilov)
The Green Vault, Dresden, Germany (Photo: Nodir Kholilov)

Where: Grünes Gewölbe (Green Vault), Dresden Castle, Germany
The take: Royal Saxon jewels worth more than €113 million
The thieves: members of Berlin’s Remmo crime family

The story
At 4am on November 25, 2019, the lights of Dresden’s old town flickered out—power cables had been set ablaze under a nearby bridge. The burglary took place at the Green Vault, one of the oldest museums in Europe, founded in 1723 by Augustus II the Strong. In the darkness, thieves smashed a window of the Green Vault, sprinted to the jewel room and attacked the glass cases with axes. CCTV, which continued to function despite the power outage, caught their every move—but could not prevent it.

The total value of items taken has been placed at around €113 million, though its cultural value is inestimable. Among the stolen pieces was a small sword made of silver and gold, with a hilt set with nine large and 770 smaller diamonds. Also taken was a brooch belonging to Queen Amalie Auguste, which had over 660 jewels; a diamond hat clasp worn by Frederick Augustus II, with 15 large diamonds and over a hundred smaller ones; and a medal representing the Polish Order of the White Eagle from the 1740s, the work of enowned diamond-cutter Jean Jacques Pallard, which has a 20-carat diamond at its center and a Maltese cross made from red rubies.

The thieves vanished in an Audi that was later found burned in a garage. Investigators linked the crime to a notorious Berlin family already convicted for stealing a 100-kilogram gold coin from another museum. DNA sealed the case.

The fallout
In 2023, six members received prison sentences of up to six years after returning part of the loot in a plea bargain. Roughly half the treasures remain missing—likely dismantled. Germany poured millions into upgrading museum security, but the theft remains a byword for how modern gangs exploit speed over subtlety.

The Louvre jewellery heist (Paris, 2025)

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The Louvre in Paris (Photo: Unsplash/Alexander Kagan)
Above Seven minutes, €88 million and the Louvre left reeling—art’s newest mystery begins (Photo: Unsplash/Alexander Kagan)
The Louvre in Paris (Photo: Unsplash/Alexander Kagan)

Where: Louvre Museum, Paris, France
The take: eight pieces from France’s Crown Jewels worth about €88 million
The thieves: at least three masked men posing as construction workers; investigation ongoing

The story
On October 19, 2025, the Louvre opened as usual to early visitors. Minutes later, a truck with a mechanical basket lift parked quietly along the Seine façade. The thieves raised the platform to a second-floor window of the Galerie d’Apollon, cut the glass with a disc grinder and smashed two cases containing Napoleonic-era jewels. Alarms blared, but in less than five minutes, they were gone. One of the stolen items—the crown of Empress Eugénie—was found outside the museum, where it had been dropped by the fleeing thieves and damaged. The crime triggered shock and disbelief; security footage revealed gaping blind spots, and museum staff admitted earlier warnings about weak coverage and understaffing.

The fallout
The Apollo Gallery remains closed pending upgrades. All stolen items have been listed by Interpol within hours to prevent resale. No suspects have yet been caught, and investigators suspect a professional network with insider intelligence. The heist has reignited debates on how to protect priceless artefacts.

Special mention: Antwerp Diamond Centre heist (Belgium, 2003)

Above A salami sandwich cracked one of history’s most perfect heists, which had hit the Antwerp Diamond Centre

Where: Antwerp Diamond Centre, Antwerp, Belgium
The take: diamonds, gold and jewellery worth over US$100 million
The thieves: a crew known as the La Scuola di Torino (“the School of Turin”), led by Leonardo Notarbartolo

The story
Though not a museum, the elaborate heist at the Antwerp Diamond Centre has been called “the heist of the century”—for good reason. With ten layers of security, 99 cameras, along with infrared sensors, magnetic locks and a lock with 100 million possible combinations, the Antwerp Diamond Centre was considered impregnable. Yet in February 2003, a group of Italian thieves rented an office in the building for months, studying guard routines and replicating the vault in miniature to pull off a heist worthy of Ocean’s 11.

Leonardo Notarbartolo led a team who had rehearsed for almost a year using a full-scale replica of the vault. On the night of February 15, 2003, they disabled cameras, jammed heat sensors with hairspray and picked the magnetic lock using a custom-made aluminium plate. By morning, they raided the contents of 123 safe-deposit boxes—filling duffel bags with diamonds, gold, silver and loose jewels—without triggering a single alarm.

Police found the gang weeks later after a local farmer reported litter near his property: a bag of sandwich wrappers, receipts and half-burned security footage. Forensic crumbs—including DNA evidence from a salami sandwich—led straight to Notarbartolo.

The fallout
Notarbartolo served 10 years in prison, but most of the diamonds were never recovered. Along with the ringleader, Ferdinando Finotto, Elio D’Onorio and Pietro Tavano were also arrested for the crime; a few co-conspirators were never identified or caught. The heist became a case study in criminal patience, and was the subject of the 2025 documentary Stolen: The Heist of the Century on Netflix.

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Kristine Fonacier
Contributing writer, Tatler Asia
Tatler Asia

Kristine Fonacier is a widely published journalist and author, covering lifestyle, business, politics and travel, having been the editor in chief at the Philippine editions of Esquire and Entrepreneur, and the founding editor of Grid magazine. At Tatler, she was previously the regional editor for T-Labs, Power & Purpose and Asia’s Most Influential.