An exclusive preview of le Bal des Débutantes 2025, where emerging young women were introduced, former titles were reinstated and society gathered beneath an opulent roof
The Shangri-La Paris, once the palatial residence of Prince Roland Bonaparte, possesses a gravity that humbles even the most seasoned travellers. Within its gilded salons, under the watchful gaze of Napoleon’s eagle motifs, the 2025 edition of le Bal des Débutantes unfolded this past November. To the uninitiate, it is a high-society rite. To the 21 young women selected by organiser Ophélie Renouard, it is a definitive entry into a global network of influence, philanthropy and haute couture.
The guest list rounds up some of the world’s most powerful boardrooms and ancient thrones. From the daughter of the Duke of Marlborough to the scions of Silicon Valley, the room was a concentrated map of modern prestige. Despite the digital age’s penchant for casualness, this event remains a bastion of formal tradition. Young women aged 16 to 22 arrived from 12 countries, each paired with a cavalier.
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Above Bronwyn Vance in Stéphane Rolland Haute Couture, Alexandra Cruz-Moxey in Lanvin, HRH Princess Eulalia d’Orléans Bourbon in Tony Ward Couture, Jillian K Chan in Georges Hobeika Haute Couture

Above The women of the hour at le Bal des Débutantes 2025

Above The debutantes at Shangri-La Paris

Above Joséphine Haas, Almudena Dailly d’Orléans, Sarah Bae, Alice Wang, Bronwyn Vance, Gabrielle Janssens de Balkany, Isabelle d’Orléans, Baroness Isabelle von Perfall
British interest focused on Lady Araminta Spencer- Churchill. The 18-year-old daughter of the 12th Duke of Marlborough is better known for her prowess as a Junior British Eventing dynamo at Blenheim Palace than for ballroom dancing. Trading her riding silks for Armani Privé, she arrived on the arm of Baron Nicholas von Perfall. Her choice was a deliberate nod to a classic aesthetic. She sought a look that felt permanent rather than loud.
The American contingent brought a mixture of Hollywood glamour and industrial might. Bronwyn Golden Vance, daughter of actors Angela Bassett and Courtney B Vance, was a marvel at the traditional father- daughter dance. A film student at Harvard, Vance moved across the floor in ivory tulle designed by Stéphane Rolland. She was accompanied by her twin brother, Slater Vance, who served as her cavalier.

Above Carolina Lansing in a gown designed by Wes Gordon for Carolina Herrera

Above Baroness Isabelle von Perfall in Monique Lhuillier

Above Reagan Sacks in Schiaparelli Haute Couture

Above Joséphine Haas in Guo Pei

Above Gabrielle Janssens de Balkany with her father
In a similar vein, Carolina Lansing represented American fashion royalty. As the granddaughter of Carolina Herrera, Lansing wore a floor-length strapless gown by Wes Gordon. The black-and-white polka dots served as a direct tribute to her grandmother’s first runway collection from decades past. A small yellow bow tucked into the hem referenced the House’s perfume history. Lansing’s brother, Magnus, provided the finishing touch by wearing his sister’s discarded dress bow as an oversized bowtie by the end of the night.
The evening functioned as a bridge between historical Europe and the rising influence of Asia. Sarah Bae, the daughter of Joseph Bae and Janice Lee, made history as the first Korean American debutante. She wore a silver tulle gown by Oscar de la Renta, covered in floral sequins. From the Philippines, Alexandra Cruz-Moxey, daughter of Ultra Records founder Patrick Moxey, appeared in a velvet Lanvin creation inspired by Art Deco. Her gown featured silver-and-black caped fringes that caught the light of the crystal chandeliers.
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Above Carolina Lansing with family

Above Alexandra Cruz-Moxey with her family and cavalier Sebastian Corso

Above Angela Bassett, Courtney Vance, Stephane Rolland among the guests

Above Bernadette Cruz-Moxey and Ching Cruz
Royal houses were equally represented. Princess Eulalia de Orleans-Borbón, a distant relative of King Juan Carlos of Spain, was escorted by Albert Windsor. Windsor, the grandson of the Duke and Duchess of Kent, has frequently been noted as one of Britain’s most eligible bachelors. Princess Isabelle d’Orléans, descendant of the French Bourbons, wore an Antonio Grimaldi gown topped with the Princess d’Orléans Tiara. This 1905 Garrard piece, featuring over 1,000 diamonds, was originally owned by Princess Louise of Orléans.
The jewellery, provided by V Muse, often carried more weight than the gowns. Additionally, Gabrielle Janssens de Balkany wore a sapphire necklace once belonging to her grandmother, Maria José, the last Queen of Italy. Reagan Sacks, daughter of PayPal’s David Sacks, wore the Petit Diamond Tiara. This 1901 Köchert piece was a wedding gift from Emperor Franz Joseph to Princess Maria Anna of Parma.

Above HRH Princess Eulalia d’Orléans Bourbon in Tony Ward Couture

Above The debutantes behind the scenes

Above The handsome cavaliers at Shangri-La Paris
While the aesthetic is one of opulence, the underlying purpose is charitable. The 2025 event raised funds for the Association of Cardiology Research from Fetus to Adult, which supports the Necker-Enfants Malades hospital, and the Maria Fareri Children’s Hospital in New York. This focus on philanthropy ensures that the event is more than a display of wealth. It is an exercise in responsibility for those entering adult life with significant resources.
The atmosphere inside the ballroom was surprisingly relaxed for such a structured affair. As the live band played, the initial tension of the presentation gave way to genuine celebration. Glasses of Laurent-Perrier circulated while debs discussed their studies. These are far from mere socialites. They are students of economics, law and psychology, amongst so many other things. The celebrations continued into the night, ending with gowns and tiaras finally removed.
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Credits
Photography: Studio Vanssay, Morgan Amsellem, Yunling Fang, Daniel Paik





