Cover Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Glen Wilson / Universal Pictures)
Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Glen Wilson / Universal Pictures)
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Beyond the spectacle and the shadows, Antoine Fuqua’s film about Michael Jackson unmasks the genesis of a global icon
Released and distributed in North America and Japan by Lionsgate, and internationally by Universal Pictures, the newly premiered Michael is a compelling drama and musical. Directed by the award-winning Antoine Fuqua, the film serves as a cinematic portrayal of the life and legacy of one of the world’s most influential artists, Michael Jackson. By deliberately narrowing its focus, the film delivers an intimate and powerful exploration of a pop culture titan.
Above Judah Edwards as Young Tito, Jaylen Hunter as Young Marlon, Juliano Krue Valdi as Young MJ, Nathaniel McIntyre as Young Jackie and Jayden Harville as Young Jermaine in ‘Michael’ (Photo: Courtesy of Universal Pictures)
Judah Edwards as Young Tito, Jaylen Hunter as Young Marlon, Juliano Krue Valdi as Young MJ, Nathaniel McIntyre as Young Jackie and Jayden Harville as Young Jermaine in ‘Michael’ (Photo: Courtesy of Universal Pictures)
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Produced by Graham King, John Branca and John McClain, the film boasts an exceptionally polished aesthetic. Much like King’s previous Academy Award-winning work on Bohemian Rhapsody, as well as the similarly vibrant Whitney Houston: I Wanna Dance with Somebody directed by Kasi Lemmons, the visual and auditory landscape of Michael is meticulously crafted. The production design and cinematography give audiences a front-row seat to Michael Jackson as never before, vibrantly highlighting some of the most iconic performances from his early solo career and from the Jackson Five at their height, to his breakout in the Eighties as a solo artist.
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Above Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Courtesy of Universal Pictures)
Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Courtesy of Universal Pictures)
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Rather than attempting to chronicle his entire lifespan, Michael wisely zeroes in on the artist’s formative era, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five. It explores his life beyond the music, capturing his relentless pursuit and creative ambition to become the world’s biggest entertainer. This focused narrative effectively highlights his intense struggle to find his individuality as an artist stepping out from his family’s shadow. The portrayal of this transition is anchored by a stellar cast, featuring Michael’s nephew himself Jaafar Jackson in a remarkable film debut. He is supported by excellent performances from Juliano Krue Valdi, Nia Long, Laura Harrier, Miles Teller and Colman Domingo.
Above Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Glen Wilson / Universal Pictures)
Jaafar Jackson as Michael Jackson in ‘Michael’ (Photo: Glen Wilson / Universal Pictures)
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Written by three-time Academy Award nominee John Logan, the screenplay offers profound depth, particularly in how it handles Jackson’s life off-stage. Logan’s script does not shy away from the darker hues of Michael’s traumatic childhood and adolescene. By rigorously examining these early psychological wounds, the writing cleverly hints at the complexities, eccentricities and controversies of his later years, even though those later decades are intentionally not covered in this film. This grounds the visionary artist’s story in a poignant reality, offering context to the man he would ultimately become.
Above The official trailer of Universal Pictures’ ‘Michael’ (2026)
Michael successfully frames the genesis of an icon, boldly declaring that “this is where his story begins”. For those seeking to dive deep into Michael Jackson’s artistry and career, it is highly recommended to watch other films like Michael Jackson History: The King of Pop 1958-2009, Michael Jackson: Video Greatest Hits - History, and the behind-the-scenes to his supposedly final concert, This is It, right after watching Michael. With Fuqua’s seasoned direction and Logan's moving script, the film is a masterclass in biographical storytelling that honours the music while unflinchingly examining the man behind it.
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About
Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.
Work
Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.
As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.
For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.
