Cover The post-primetime generation explores cultural heritage through fresh and unexpected languages

No longer bound by traditional TV schedules, a new post-primetime generation explores cultural heritage through fresh and unexpected languages.

For those born in the late 1990s and beyond, the ritual of sitting down in front of the television at 8pm to watch a film or game show is largely unfamiliar. While their parents lived by a linear broadcast schedule (Friends every Thursday night in the US, Winter Sonata on Mondays and Tuesdays in South Korea on KBS2, Eurovision once a year across Europe) the post-primetime Gen Z has grown up amidst media fragmentation. They decide what to watch, when to watch it, and on which device, and often on their own.

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Viewing habits may have shifted, but the sense of connection remains; just in altered forms. They may not watch simultaneously, but they still find common ground in emotionally charged moments: a scene from The Office, a song from High School Musical, or Tyra Banks’ iconic expression in America’s Next Top Model. Snippets, cut from countless different sources and often detached from their original context, become the nucleus of viral moments viewed and shared across social media and community platforms. Even without watching the full film, a single line is remembered; even without a shared viewing, harmony persists among 21st-century audiences.

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Above The hit sitcom Friends (photo: IMDb)
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Above The original K-drama, Winter Sonata (photo: IMDb)

For Gen Z, meaningful moments no longer need to take place at 8pm, the familiar “prime time” for previous generations. Today, they arise whenever an algorithm serves up just the right clip for their mood. The notion of “prime time” has evolved from a fixed broadcast slot to a post-primetime fluid, personalised moment.

Publics retell heritage through memes, remixes and visual language

For older generations, honouring a cultural work meant sitting through it from beginning to end. For the post-primetime social media generation, that same legacy lives on in fragments: usually animations, quotes, remix videos or parodies (works that imitate another in order to satirise or playfully reflect upon it).

Figures like Regina George from Mean Girls, Carrie Bradshaw from Sex and the City, or Rachel Green from Friends are no longer confined to their roles. They’ve become archetypes; reference points for comparison, critique, empathy or self-expression among young people.

Film music, too, has taken on a new path. Running Up That Hill by Kate Bush made a chart-topping return after being featured in Stranger Things, reaching a new audience not via radio, but TikTok. Bella Ciao was revived globally by La Casa de Papel, reimagined in styles from EDM to indie acoustic. Legacy is no longer received in sequence, but through emotion: a powerful scene is enough. Young audiences engage, respond, reinvent—and share.

The language of retelling has shifted as well. Traditional reviews and in-depth critiques have given way to “instant interpretations” using visual shorthand: symbols, captions, hashtags, filters, or AI-generated voices. In this post-primetime age, to “retell” is not to “retell faithfully,” but to recast familiar feelings in a new form, creating reinterpretations that breathe fresh life into cultural memory.

From collective experience to personalised memory

Perhaps the most significant post-primetime shift is that popular memory is no longer a shared, synchronised experience. In the past, entire societies would laugh and cry together on finale night. Today, a young viewer might discover Glee for the first time at 25, rewatch Gossip Girl during a heartbreak, or stumble upon The Nanny while scrolling Reels, each moment unfolding at a different time, in a different emotional state. Yet, this doesn’t diminish the connection. On the contrary, pop cultural memory has become deeply personal: each individual absorbs a legacy through their own lens, then reinterprets it by weaving it into the fabric of their life.

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Above Musical comedy show Glee (photo: IMDb)
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Above Classic How I Met Your Mother (photo: IMDb)

For young audiences, heritage is not something confined to a museum. It lives and breathes in daily interactions. Rather than preserving it as-is, they redefine it, transform it, and infuse it with their own stories. In doing so, heritage is no longer a relic of the past, but raw material for shaping the future.

The “post-primetime” public: A generation retelling culture in a global language

Across the globe, pop culture heritage is being reimagined through the digital generation’s lens. Gilmore Girls, The Fresh Prince of Bel-Air, and the delightful eccentricity of London Tipton in The Suite Life of Zack & Cody, once appointment viewing, are now revived on TikTok, YouTube Shorts, and Instagram Reels. Many young people encounter these shows not via television, but through a spontaneous 15-second clip that pops up on their feed.

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Above Brenda Song’s role as London Tipton in the series ‘The Suite Life of Zack & Cody’ has become a cultural icon recognised by a generation of global viewers

Stars who once ruled the small screen now inhabit the digital world not as nostalgic figures, but as visual icons of the present. Whether it’s Jennifer Coolidge in Legally Blonde, Tyra Banks in America’s Next Top Model, or Fran Drescher in The Nanny, their faces regularly appear in Instagram stories and TikTok videos. They are no longer regarded as stars of a bygone era, but celebrated anew—charisma, expressions and all—by a community rediscovering them in real time.

Recently, the global public was moved by the reunion of Meg Ryan and Billy Crystal, marking the 35th anniversary of When Harry Met Sally, a moment that was both intimate and widely shared. It affirmed that these characters, these faces, have never truly faded from cultural consciousness.

A classic quote now lives inside a fashion edit. A comic moment evolves into a viral food trend. A knowing look becomes an emoji-style effect. These actors, though once fixtures of cable TV and not always active on modern platforms like TikTok, Instagram or X (formerly Twitter), are still “resurrected” daily through millions of shares. They may no longer anchor a broadcast, but they thrive as cultural fragments passed between personal feeds and the collective imagination of a perpetually online generation.

In a world without primetime, legacy finds continuity. Gen Z, Gen Alpha, and those that follow are breathing new life into memories they never lived through, each reinterpretation vibrant, unexpected, and unique. This is an era shaped not by scheduled programming, but by the emotional cadence of a new, ever-evolving public.

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