(Photo: tvN)
Cover K-drama settings set more than just the mood. (Photo: tvN)
(Photo: tvN)

Sometimes, the most memorable character in a K-drama isn’t a person—it’s the place

K-dramas have transported viewers to settings so distinctive, they feel like characters in their own right. More than just scenic backdrops, these locations set the tone, spark nostalgia and inspire wanderlust. They shape stories as much as the protagonists—whether it’s the healing coastal village of Gongjin in Hometown Cha-Cha-Cha, the Grim Reaper’s elegant tea room in Goblin, Jang Man-wol’s otherworldly hotel in Hotel del Luna or the quaint yet vibrant North Korean village in Crash Landing on You. Each world is rich with its own personality, mood and history—places fans long to step into and revisit.

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The healing village of Gongjin in ‘Hometown Cha-Cha-Cha’

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(Photo: tvN)
Above (Photo: tvN)
(Photo: tvN)

Could there be a more idyllic place than the fictional coastal village of Gongjin in Hometown Cha-Cha-Cha? From Hong Du-sik’s (Kim Seon-ho) cosy home to the charming rural neighbourhood, to the beach where Du-sik and Yoon Hye-jin (Shin Min-a) first meet, and the lighthouse where they confess their feelings for each other, it’s the perfect setting for healing and falling in love. Sure, it’s a bit quirky and the neighbours are nosy, but it feels like home.

See also: 9 fan-favourite K-drama opening credits you wouldn’t want to skip

The Grim Reaper’s stylish tea room in ‘Goblin’

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(Photo: screencap from ‘Goblin’, Netflix)
Above The Grim Reaper’s tea room in the K-drama ‘Goblin’ is both otherwordly and familiar. (Photo: screencap from ‘Goblin’, Netflix)
(Photo: screencap from ‘Goblin’, Netflix)

In the popular fantasy K-drama Goblin, there is a  tea room where the Grim Reaper (played by Lee Dong-wook) serves drinks to souls preparing to cross into the afterlife. And the setting manages to be both grand and intimate, otherworldly and familiar—it’s built to inspire awe, yet feels perfectly suited for an intimate conversation over tea. Floor-to-ceiling shelves display a curated collection of delicate teacups and ornate teapots, giving the room the air of an impeccably styled salon. Hardly surprising, given it belongs to a stylish grim reaper with a penchant for fashionable hats and vintage brooches.

Ko Moon-young’s gothic mansion in ‘It’s Okay to Not Be Okay’

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(Photo: screencap from ‘It’s Okay to Not Be Okay’, Netflix)
Above In the K-drama ‘It’s Okay to Not Be Okay’, Ko Moon-young’s home is perfect for this neo-gothic princess. (Photo: screencap from ‘It’s Okay to Not Be Okay’, Netflix)
(Photo: screencap from ‘It’s Okay to Not Be Okay’, Netflix)

In It’s Okay Not to Be Okay, Ko Moon-young’s childhood home is more than just a backdrop, it’s a reflection of who she is—her past, her trauma and her fractured psyche. Looking like it’s been plucked straight from the pages of her gothic storybooks, the mansion is aptly nicknamed “The Cursed Castle.” With its stained-glass windows, ornate Neo-Gothic staircase, carved woodwork and dimly lit rooms, it’s a cross between a haunted manor and a grand palace—and is perfect for a dark fairytale princess like Moon-young.

Don’t miss: 9 K-dramas with shocking plot twists fans never saw coming

The mystical Hotel del Luna in ‘Hotel del Luna’

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(Photo: tvN)
Above Hotel del Luna’s lobby is fit for a king. (Photo: tvN)
(Photo: tvN)

Hotel del Luna is no ordinary hotel. It’s an opulent five-star purgatory for ghosts and spirits, run by Jang Man-wol (IU), who is cursed to manage it until she atones for her past. With rooms that cater to the specific needs of its diverse guests, the ability to conjure its own private beach or starlit sky, and a grand lobby fit for royalty, Hotel del Luna is a place where ghosts with unfinished business can stay while tying up loose ends.

The Ssangmun-dong neighbourhood in ‘Reply 1988’

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(Photo: screencap from ‘Reply 1988’, Netflix)
Above Ssangmun-dong from ‘Reply 1988’ is home sweet home. (Photo: screencap from ‘Reply 1988’, Netflix)
(Photo: screencap from ‘Reply 1988’, Netflix)

Any Reply 1988 fan would be more than glad to move into the small neighbourhood of Ssangmun-dong in the 1980s, where the kids were allowed to run freely between houses. Ssangmun-dong is a throwback to simpler days, when communities felt like extended families, every corner held a special memory, and growing up meant being surrounded by people who truly knew you. The houses may be modest, but they feel like home; the neighbours are nosy, but they look out for one another.

The majestic Kingdom of Corea in ‘The King: Eternal Monarch’

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(Photo: SBS)
Above The Kingdom of Corea’s royal palace blends grandeur and tradition in ‘The King: Eternal Monarch’. (Photo: SBS)
(Photo: SBS)

In The King: Eternal Monarch, the Kingdom of Corea, headed by Emperor Lee Gon (Lee Min-ho), exists in a parallel universe. The K-drama imagines a modern monarchy where towering skyscrapers stand alongside grand palaces. At the centre is the royal residence, a place of sweeping courtyards, ornate architecture and lush gardens—an opulent stage for political intrigue, destiny, and a love story that transcends worlds.

The rustic North Korean village in ‘Crash Landing on You’

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(Photo: tvN)
Above The neighbors are nosy but the North Korean village is charmingly rustic in ’Crash Landing on You’. (Photo: tvN)
(Photo: tvN)

In Crash Landing on You, South Korean heiress Yoon Se-ri (Son Ye-jin) crash-lands in a North Korean village after a paragliding accident and meets the noble North Korean officer, Ri Jeong-hyeok (Hyun Bin). The town itself may be a little too rustic for her liking, but it’s not without its charms. True, the neighbours are as nosy as they come, but they’re wonderfully eccentric. They lead simple lives rooted in family and community, offering warmth and solidarity that slowly win her over.

The unassuming Geumga Plaza in ‘Vincenzo’

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(Photo: tvN)
Above Forget the gold. In popular crime K-drama ’Vincenzo’, the real treasure of Geumga Plaza is its residents. (Photo: tvN)
(Photo: tvN)

In the popular crime K-drama Vincenzo, Geumga Plaza may look like an ordinary building, but there’s hidden treasure within its walls. And no, it’s not just the gold bars buried beneath the basement—it’s the rich mix of kooky tenants who call it home. From the owner of the laundrette to the chef of an Italian restaurant, they bring more than just comedy and chaos, but also special skills and unexpected loyalty, becoming unlikely allies in Vincenzo’s high-stakes battle for justice.

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Maggie Adan is a content writer, editor, and strategist with extensive experience across print, digital, and social media publishing. Formerly editor-in-chief at K-Zone Philippines, Summit Books and Content Lab, she has written lifestyle stories covering everything from entertainment and travel to beauty and wellness. A storyteller at heart with a keen editorial eye and a passion for narrative, she contributes to various publications and helps brands create and curate content for their social media platforms.