Cover Anna Luna and Mercedes Cabral shine in this migrant workers film, ‘Enjoy Your Stay’ (Photo: Close Up Films / Cinemalaya Foundation, Inc)

The gripping drama ‘Enjoy Your Stay’ challenges the traditional overseas worker narrative by burying its deepest conflicts beneath the pristine snow of the Swiss Alps

The Cinemalaya Philippine Independent Film Festival’s 22nd edition commenced with a compelling start as it premiered its opening film, Enjoy Your Stay. Co-directed by Dominik Locher and Honee Alipio, the feature was screened free to the public on the 6th of August at the Red Carpet Cinemas in Shangri-La Plaza.

Serving as a complex exploration of the Filipino experience, the picture shifts away from conventional tropes to deliver a deeply atmospheric character study. Prior to its local debut, Enjoy Your Stay had its world premiere in the Panorama section of the 76th Berlin International Film Festival in Germany. The production was a collaborative international effort, co-produced by Close Up Films and JBA Production, alongside Philippine service producer Epicmedia and world distributor P-Films.

Read more: Cinemalaya 2026 unveils ‘Reel Reflections’ and the power of Philippine independent cinema

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Above Poster of Dominik Locher’s ‘Enjoy Your Stay’ (Photo: Cinemalaya Foundation, Inc)

Warning: spoilers ahead!

At the centre of Enjoy Your Stay is Luz, portrayed by Mercedes Cabral, a Filipina who has spent years working as an undocumented cleaner in Switzerland. Living in the shadows alongside her friend Aileen and a community of migrant workers, she constantly faces the threat of being discovered and deported. Her world is abruptly shaken when she sees her ex-husband and their six-year-old daughter appear on a Filipino reality television programme. Desperate to keep her child after years of working abroad, Luz promises on live television to return home in time for her daughter’s birthday. This pressing need to secure her daughter’s future pushes Luz to find ways to earn money, even if it requires betraying her community and crossing her own moral boundaries.

Much of the film feels profoundly realistic, set largely in the luxurious alpine village of Verbier. The story tracks the women as they clean chalets left in disgraceful states by wealthy guests. The visual messes they clear away—including visceral details of vomit and faeces—serve as an unglamorous anchor to their daily existence, meticulously crafted by the production design team led by Michael Baumgartner, including Ben Padero and Carlo Tabije. However, a more striking narrative element is the plight of Hasmine Killip’s character, who deals with an early pregnancy resulting from rape. Although the film refuses to show the violence graphically, the physical and emotional scars left on the characters endure through every verbal and psychological abuse they face from the outset.

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Above Donna Cariaga, Anna Luna, Mercedes Cabral, Irma Adlawan and Hasmine Killip as undocumented Filipino migrant workers with their boss in Switzerland, played by Alexis Manenti (Photo: Close Up Films / Cinemalaya Foundation, Inc)

To capture this suffocating atmosphere, cinematographer Jeanne Lapoirie utilises framing that becomes intentionally claustrophobic whenever the camera follows Luz. This technique amplifies the intensity of her inner struggle and the sheer will driving her abrasive decisions, which often come at the expense of her colleagues. The narrative limits the audience from hearing her explicit thoughts or context, yet every charged emotion is distinctly felt.

Conversely, the frame breathes every time the lens captures the sweeping Swiss landscapes and the society these women are trying to fit into. This visual juxtaposition makes Luz’s motivations to raise money and go home appear complex and unreliable, further heightened by the unsteady camerawork that provides constant tension throughout the narrative. Key scenes where the characters find comfort in one another are instead shot steadily, portraying how they find a sense of home in each other’s presence.

Read more: ‘Filipiñana’ at Cinemalaya 2026: peeling back society’s pristine facade

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Above Alexis Manenti plays Mr Thibault Liand in ‘Enjoy Your Stay’ (Photo: Close Up Films / Cinemalaya Foundation, Inc)

The thematic core of Enjoy Your Stay tackles illegal recruitment, heavily personified by Madeleine Nicolas’s character, who operates as a human trafficker. Yet, the film does not simply paint its characters as passive victims. Instead, it shows individuals who are complicit and active in their fate, perhaps driven by the lack of domestic opportunities and the oppressive pressures of a deeply Catholic society, all lured by the false hope that a First World country provides. The film gives these hints through subtlety, burying each discord and conflict “in hiding”, much like the characters themselves.

During the Philippine premiere of Enjoy Your Stay, director and co-screenwriter Dominik Locher addressed the audience to highlight the production’s intent. “As you’ve heard in the introduction, this is a film about the overlooked—people that are taken advantage of,” he stated. “We wanted to put them in the spotlight. It’s a story about exploitation and injustice, but also about how far we are willing to reach for our dreams and how far we’re willing to go.”

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Above ‘Enjoy Your Stay’ shows the dedication of Filipino migrant workers to hard work, amidst trials, legal challenges and societal rules (Photo: Close Up Films / Cinemalaya Foundation, Inc)

The premiere event also served as a testament to the film’s real-world relevance, attended by representatives from the Department of Migrant Workers, including Undersecretary Felicitas Bay and Maverick De Leon, as well as Swiss Embassy officials Hans-Christian Baumann and Livia Meisser.

Co-screenwriter Honee Alipio addressed the crowd in Filipino, answering the common question of why the industry continues to make overseas Filipino worker stories: “As long as we have so many OFWs forced to leave the Philippines, we will continue making these kinds of films.”

The film boasts a robust ensemble cast, with acclaimed Filipino actresses Anna Luna, Irma Adlawan and Donna Cariaga joining Cabral, Killip and Nicolas on screen. Furthermore, the Filipino cast based in the Philippines—comprising Elora Españo, Nico Antonio and Jun Nayra—added layers of authenticity, with Antonio notably balancing his law degree while shooting his difficult role. The emotional weight of the picture is also carried by its editor, Diego Marx Dobles, and a musical score crafted by MoraBeats, Fateeha, Miss A and Jihan.

Above A clip from Cinemalaya 2026’s opening film, ‘Enjoy Your Stay’, directed by Dominik Locher and written by Honee Alipio

Ultimately, Enjoy Your Stay follows Luz deep into her moral descent. Yet, the story is one of hope hiding in hope. The sanctuary these women build is fragile, constructed upon promises buried beneath impermanent protection. By the closing credits, the film subverts any desire to judge Luz. Instead, the audience is left feeling a strange pride in her rediscovered dignity—attained strictly on her own terms, regardless of the means she took to secure it.

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Franz Sorilla IV
Art and Culture Editor, Tatler Philippines
Tatler Asia

About

Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.

Work

Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.

As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.

For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.