Photo: VJ Villafranca
Cover Photo: VJ Villafranca
Photo: VJ Villafranca

A team of Filipino photographers are putting this art form, front and centre and keeping it top of mind

Fotomoto is a photography collective founded by a team of vibrant visionaries who see a bright and bold future for this art form in the country. The founders include a roster of respected photographers: Neal Oshima, Paco Guerrero, Wawi Navarroza, Tom Epperson, Veejay Villafranca, Jes Aznar, ESL Chen, Apa Ongpin, Gio Panlilio, Raena Abella, Edric Chen, Tammy David, Miguel Nacianceno, RJ Fernandez, Sandra Palomar, Jason Quibilan, and Jake Verzosa.

For them, the objective propelling Fotomoto is to promote Philippine photography through the lens of the team’s shared experiences. Its founders who are seasoned photographers themselves bring quite a lot to the table; they hope to encourage discourse about the Philippines by way of their own personal diversity, analysing gender, socio-economic status, age and geography with this project.

See also: Mark Nicdao Talks About Industry Challenges and his Love for Photography 

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Photo 1 of 4 Photo: Francisco 'Paco' Guerrero
Photo 2 of 4 Photo: Gio Panlilio
Photo 3 of 4 Photo: Jes Aznar
Photo 4 of 4 Photo: Apa Ongpin
Photo: Francisco 'Paco' Guerrero
Photo: Gio Panlilio
Photo: Jes Aznar
Photo: Apa Ongpin

“Love of photography is the unifying factor. The beauty of it is that we come from different practices of the craft—from art to fashion to photojournalism; thus, our collective knowledge and experiences contribute to the strength of the team. Our common perspective is that we should do something to contribute to Philippine photography and not just for ourselves,” says Aznar.

Setting out to ignite conversations about photography’s role in our lives, in December 2021 Fotomoto rolled out their inaugural project: a multi-venue exhibition in a variety of restaurants and retail establishments around the metro to make art more accessible. Without 100 participating photographers and around 300 prints, they definitely made an impactful entry.

See also: Raymund Isaac on Rejection, and Advice for his Younger Self

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Photo 1 of 4 Photo: Tom Epperson
Photo 2 of 4 Photo: Raena Abella
Photo 3 of 4 Photo: Neal Oshima
Photo 4 of 4 Photo: Jes Aznar
Photo: Tom Epperson
Photo: Raena Abella
Photo: Neal Oshima
Photo: Jes Aznar

“We curated based on the merit of the image alone and our collective responses to each one. After all the submissions were in, each image was stripped of its accompanying information such as its title and the photographer’s name. With over 300 images and only close to 14 of us, we really had to rely on our intuitive responses,” shares Panlilio. They purposefully curated “blindly” to allow the photo to speak for itself and to not be swayed by any personal biases for the photographer behind the lens.

But what’s next? Fotomoto is planning a variety of educational programmes in the pipeline. Looking to the future, Ongpin says that they plan to execute this event annually, and even expand it nationwide, plus include more components to further their reach. “We will also probably open a permanent online gallery with images for sale,” he adds.

See also: Photographer and Director Paco Guerrero on his Career and Creative Process

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Photo 1 of 5 Photo: E.S.L. Chen
Photo 2 of 5 Photo: Apa Ongpin
Photo 3 of 5 Photo: Neal Oshima
Photo 4 of 5 Photo: Jason Quibilan
Photo 5 of 5 Photo: VJ Villafranca
Photo: E.S.L. Chen
Photo: Apa Ongpin
Photo: Neal Oshima
Photo: Jason Quibilan
Photo: VJ Villafranca

Aznar tells me that they “hope to do bigger iterations of this project in the coming years and to be more inclusive. With workshops, portfolio reviews, and guest peers from all over the world.” He says that they “do not want to keep this event all to ourselves.” “We want everyone to copy it and do their own photo festivals in their own localities,” he adds.

Building on that, Villafranca shares that he too “hopes that other regions can take part. We’d like to see more work from our colleagues outside NCR.”


To learn more about this photography collective, click here.

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Isabel Martel Francisco
Deputy editorial director, Tatler Philippines & editor, Tatler Dining, Tatler Philippines
Tatler Asia

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Isabel loves to learn, and see things from different perspectives. Connecting with people and engaging in new experiences to broaden her horizons is what inspires this storyteller, keeping her constantly curious, and excited for what's to come. An absolute love for all things F&B ignited a hunger to devour content from this world and keeps her jumping into tasty adventures around the globe. From the beauty of simple bites, to nuanced fine dining tasting menus, street food, and the art of entertaining, the multi-faceted nature of the dining experience is something she can't get enough of. A good cup of coffee or a glass of wine paired with a dash of witty conversation is a quick way to win her over. This editor loves travelling, food, music, skincare, fitness, and is only friends with people who love dogs. Guilty pleasure?: Binge-watching TV shows and movies she has already seen.

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Concept creation is the name of the game and branding takes centre stage in Isabel's day-to-day schedule. From producing shoots, conceptualising bespoke projects for our partners, relationship management, to cooking up features and events for Tatler Dining, this editor is a tried and tested foodie at heart. She mainly writes content for Tatler Dining, engaging in captivating discussions with restaurateurs, chefs, producers, and food enthusiasts to tell must-know stories. Aside from that Isabel manages Tatler Dining's flagship events like Off Menu, or Cocktail Festival and puts together the Tatler Dining Guide, our annual listing of the best eats around town. 

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