MIFFest returns with a bold, globally minded edition, where filmmakers and industry voices reflect on storytelling, cultural exchange and the future of regional cinema
Since its inception in 2016, the Malaysia International Film Festival (MIFFest) has steadily positioned itself as a vital platform for cinematic exchange in Southeast Asia. Founded with the aim of cultivating emerging talent and amplifying diverse voices, the festival has grown into a dynamic meeting point for filmmakers, industry professionals and audiences alike. Set against Malaysia’s multicultural backdrop, MIFFest reflects the country’s rich tapestry of perspectives—offering a space where local and international stories converge.
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More than just a showcase, the week-long festival champions discovery and dialogue. Its programming spans genres, languages and geographies. Yet at its core, MIFFest remains rooted in its belief that cinema is a powerful connector. It’s one that inspires, challenges and transforms.
Above Joanne Goh at the launch of MIFFest 2026
That vision has always been clear for festival founder and president, Joanne Goh. What began as an effort to connect Malaysian cinema with the international community has evolved into something far more expansive. “I believe Malaysia has strong stories and creative voices that deserve to be seen on the global stage,” she says, further emphasising that she saw Malaysia as a hub that brings together filmmakers, artists and audiences from around the world.
Over time, the festival has grown into a hub for exchange, where “filmmakers exchange ideas, build collaborations, and discover new perspectives in cinema.” Joanne also emphasises MIFFest’s distinctive cultural positioning, shaped by Malaysia’s diversity. “We focus on creating a warm and open environment where filmmakers can truly connect. The festival places special attention on Asian storytelling while remaining internationally oriented,” she adds.
Looking ahead, she hopes that Malaysia remains a cinematic hub. “Cinema has no real borders, stories can resonate everywhere. Through the festival, I hope to encourage more partnerships, more cross-border collaborations and more opportunities for filmmakers.”

Above Bront Palarae

Above Jack Tan
That sense of connection is echoed by actor and filmmaker Bront Palarae, who sees festivals like MIFFest as crucial to elevating regional cinema. “What excites me most is the opportunity to connect with diverse filmmakers and audiences who share a passion for storytelling,” he shares.
For Bront, these platforms are essential. “It’s crucial for the regional film industry as they provide a platform for showcasing our unique voices and perspectives, fostering collaboration, and ultimately elevating our cinema on the global stage,” he adds.
Bront hopes audiences will encounter stories that reflect the rich tapestry of our cultures and address pressing social issues. “Stories that challenge norms and bring fresh voices to the forefront are essential for sparking conversation and inspiring change,” he says. When it comes to growth, he underscores the importance of authenticity stating that: “The biggest opportunities lie in our ability to tell authentic, relatable stories that resonate universally.”

Above Daiyan Trisha

Above Zizan Razak
Similarly, actor and singer, Jack Tan, highlights the role of film festivals in bridging cultural gaps. “Through cinema, we are able to introduce Malaysia to a wider audience,” he says, noting that film can “break language barriers and create a shared emotional connection.” He recalls how international peers are often amazed by the creativity coming out of Malaysian movies reinforcing the importance of platforms like MIFFest. For Jack, the audience experience is equally vital. “No matter what genre audiences are drawn to, I believe they will always be able to feel the intention and meaning behind each filmmaker’s work,” he says. Jack adds that strong public support is essential, as it enables more diverse and meaningful films to be made and seen.

Above Daiyan Trisha, Joanne Goh and Jack Tan
For multi-hyphenate artist Daiyan Trisha, MIFFest represents something even more immersive. “It is a great honour to be involved in a landscape of talented filmmakers who share the same passion, grit and love for cinema,” she says, describing the festival as “a reflection of how cinema unites us across borders.” What sets it apart, she notes, is the access it provides: “Instead of just watching movies, we actually get to experience how it feels like to be with the people who created these movies.”
These interactions open the door to meaningful discourses and deeper understanding. Daiyan is also particularly passionate about representation. “I’m always very excited to see more female filmmakers, and more female-centric movies to be highlighted. Some might think we have enough, but for me it’s never enough until there’s actually real consistent changes that shift the way the world treats our women,” she adds.

Above Resonance is the theme of MIFFest 2026
Meanwhile, entertainer Zizan Razak underscores the broader significance of festivals in shaping both industry and audience perspectives. “This is something that should be praised as it is very meaningful,” he says, describing film as “a language from the point of view of the whole world.”
For Zizan, festivals offer more than just exposure—they provide insight into global perspectives: “I can see how people think from every corner of the world and this is a good time to introduce how we think about Malaysian films.” He also points to the importance of innovation and balance, noting that while cultural depth matters, films must remain engaging. “It is part of the entertainment world… this has to be there to build and expand our cinema.”
Together, these voices reflect what MIFFest has come to embody: not just a festival, but a growing ecosystem—one that champions storytelling in all its forms, connects communities across borders and continues to shape the future of Malaysian and regional cinema, one story at a time.
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