Kwok’s Girls, who are set to perform at the Chinese New Year parade, share what inspired them to take up this traditional dance form which has been under the male purview for so long
Head to a particular car park in a community centre at Mongkok on Friday nights, and an unusual sight might catch your eye. Under the pedestrian lamps and car park lights, a bright pink lion comes to life every Friday: its eyes blinking and its jaws flapping cheerfully as it jumps up and down on its brisk, powerful furry legs. This spectacle is orchestrated by three women, Coco Lau Yun Ting, Lam Hoi Hei and So Lok Ching, who meet after work and put on colour Chinese lion costumes and practise their dance routines in the car park. All of them are in their 20s and all of them have day jobs, but they are also part of an all-female lion group called Kwok’s Girls, which consists of 10 members in total.
They are all students under Kwok’s Kung Fu and Dragon Lion Dance Team, which has been performing lion dance shows for festive occasions in the city since it was founded in 1949. They have performed at the variety show which celebrated the 25th anniversary of Hong Kong’s return to China in July 2023, at Lumieres Hong Kong in September 2023 and several other major events. Their next performance will be at the Cathay International Chinese New Year Night Parade on February 10, 2024.
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Above Coco Lai Yun Ting and Lam Hoi Hei demonstrating the lion dance (Photo: Tatler Hong Kong / Billy Chan)
Lion dance’s history dates back to the late Qing dynasty (1644-1911). Among the many disputed origins of lion dance, the most widely accepted version is that, a long time ago a village was attacked by a ferocious beast, and to scare it off, the villagers—on the advice of a travelling shaman—wore a lion-like costume to appear large and scary, and chased it away it with firecrackers and drums.
Today, it has become is an art form that signifies blessings and peace during festivals such as Lunar New Year. While different parts of Asia—Malaysia, Singapore, northern and southern China—have their own costume designs and dance styles, they all draw from the movements and fictional emotions of lions. It takes two dancers to play one lion: one lifts the head and interacts with the crowd; the other, the tail, follows and lifts up the partner.
In earlier times, female lion dance performers such as Kwok’s Girls were a rare sight. It was for more common for solely men to participate in this dance form not only because it’s physically demanding but also for religious reasons.

Above Coco Lai Yun Ting and Lam Hoi Hei practising lion dance in Mongkok’s community centre (Photo: Tatler Hong Kong / Billy Chan)
“Before the dance starts, a Taoist priest consecrates the lion, which involves inviting a deity to enter the lion’s body,” says Kwok Man-lung, the head of Kwok’s Kung Fu and Dragon Lion Dance Team. “Women weren’t allowed to dance because their period was considered ‘unclean’.” He observes that in the 1990s, when he took over his father’s baton to run the company, women who joined the team took up drums and not the dance.
“But I have welcomed students of different genders as long as they want to learn this traditional art form,” he says. His team teaches lion dance as an extra-curricular activity at schools and community centres. “Our classes are popular among both boys and girls.” Right now, his team has ten female and nearly 40 male apprentices.
Three of the female apprentices he has been teaching for more than ten years are Lau, Lam and So. At first, Lau, then a primary school student, was mesmerised by the different dance moves—balancing on tall bamboo pillars, jumping on benches, swinging to the ground to pick up cabbages (a symbol of prosperity)—and became keen to learn these movements. Meanwhile, Lam and So also chose to learn this dance style as they felt it resonated more with their personalities.
The three are trained in the same way as male students. In the first year, they were taught the basics of kung fu, especially footwork, to hone their balancing skills and muscle strength, and lion dance drum-playing to develop their musicality. Gradually, they learnt how to do somersaults, jump on chairs and tables, and lift one another. “Even for boys, it takes around two to three years before they can level up to jumping on pillars,” says Kwok. “Girls may take slightly longer, but there are exceptions, such as So, who learns as fast as boys.”

Above From left: Coco Lau Yun Ting and Lam Hoi Hei (Photo: Tatler Hong Kong / Billy Chan)
Lam, the tallest of the three, plays the tail. She says at first it was quite challenging to lift and hold her partner, Lai. Although the lion’s head is mainly made with paper mesh, it can weigh up to 5kg. As the tail, Lam has to lift Lai in addition to the lion head. The constant back bending also leads to muscle pain. So has had serious injuries in the past but that doesn’t deter her, or any of the other girls.
“It’s a fun way to work out,” says So. “It also gives me a sense of meaning and something to look forward to after work.” To Lam, it gives her motivation in life. “I’m usually a laid-back person, but lion dance makes me [feel] competitive. As I learn trick after trick, I feel like I am progressing more and more. I’m happy to see that now I can do so much more than just ‘picking up cabbage’ from the ground. Now, I want to win contests. I like that I have new goals in my life.”
“Kwok’s Girls has a motto: we can hustle for our dream, but we cannot put aside our dream because we hustle,” says Lai. As well as carrying on the legacy of this traditional art form in Hong Kong, these “lionesses” are also paving the way for women to break boundaries in a male-dominated world.
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