Cover Singapore art collector Linda Neo on telling alternative stories and championing Southeast Asian art

From curating works from the region to bringing together a community of bashful collectors, Linda Neo is fortifying the appreciation for and patronage of Singapore and Southeast Asian art

“Art does so much [for] the soul,” Linda Neo tells us as we sit back in the dim light of Exit Stage Left, a dusky speakeasy‐inspired bar concept on Desker Road that is the last stop of New World’s End, an immersive audio tour organised by Oh! Open House, where art, storytelling and bespoke cocktails converge.

As the chairperson of the independent organisation that tells alternative stories of Singapore through art, Neo proudly oversees every project, taking it under her wing. Even before joining the board, she was a supporter. “I’ve always believed in supporting [art] organisations, but I find that the small collective system of institutions really needs our help more than anything else,” says Neo.

Extending opportunities for exploration and creativity to home‐grown artists is her North Star as she pursues this work, drawn in particular to supporting unconventional creations such as conceptual work experiencing difficulty finding representation in mainstream galleries. “These are the people with a passion. Oh! Open House gives them an opportunity to [pursue] that. We open up the place for young artists to experiment,” she says.

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Linda Neo
Above Linda Neo

She also points out the young mixologist working the bar at Exit Stage Left as we speak as an extension of the organisation’s predilection for experimentation. As he gets the place ready for another evening of New World’s End, he reaches for the distinct flavours of Singapore, curated for the bar’s bespoke cocktail menu. What we discover is hawthorn berries meeting nutmeg pericarp, a floral mix of jasmine gin and oolong tea, and locally distilled vodka with tamarind jam.

Hearing Neo speak of the local art scene with such fondness belies her background; neither an artist nor an art historian by trade, she has an over-30‐year career as a financial broker behind her. The passion for art was born almost accidentally.

As she dove deeper into the subject to explore a common interest with her husband Albert Lim, she found herself enamoured with the works she came across. “I got hooked, kind of like an obsession ... Once I was introduced to it, I got really excited. It started with buying a couple [of pieces] for the walls and now, we’ve been travelling together for art tours, art fairs, and events,” she muses.

The couple soon realised they were running out of room to display the artworks and do them justice, warranting a dedicated space to curate and showcase their growing collection. They invested in Primz Gallery, initially as a private refuge. “It was a sanctuary. If we wanted to chill out, we’d go there and just enjoy the artworks,” says Neo.

Wishing to involve their loved ones and build a community around regional and local art, they eventually opened Primz Gallery to the public. It grew into much more than just a gallery, functioning as an educational playground and introducing art to many who may not otherwise have felt inclined to engage with it.

Despite touching down all over the globe, Neo’s interest from the very beginning has been in collecting Southeast Asian, and particularly Singaporean, art. Contemporary art is especially close to her heart, but the historical value of Modern works is not lost on her either. “They tell the depth of history. Why are [the Modern artists] painting coconut trees, and why are the paintings mainly of women and not men? Because the men were out fishing and the women were the ones in the kitchen, they were pounding rice,” she tells us. “When you collect art, there’s a wealth of history that we learn [from it], and we learn about politics as well. It’s very, very enriching.”

She chooses to make local and regional art the focus of her collection for this simple reason: “There’s so much talent here. There’s so much richness in this region. Why are we hankering for Western art?” The financial broker in her admits that Western art can be a good investment for those with a keen eye. “But we’re not speculators,” she says. “We really want to support our local community. I think that’s very important. If we don’t support our own, then who’s going to?”

Her collection at Primz Gallery also highlights the works of many female artists in the region, including talents such as Jane Lee, Melissa Tan and Suzann Victor. “It just happened that the women we’ve collected are so good. Now is really the opportunity for women to show themselves,” she tells us.

Beyond her involvement in Oh! Open House and the curation of Primz Gallery, one of Neo’s more personal initiatives began as nothing more than a WhatsApp group back in 2014. Titled “Art Addicts Anonymous”, it involved primarily medical doctors who were interested in art and keen to collect, but wanted to remain unidentified due to their high‐profile occupations. The group served as a space to foster not just community but also art education and, consequently, appreciation.

To celebrate the community’s momentous tenth anniversary, Neo suggested a peculiar idea for the rather secretive group: a public exhibition. “A lot of them have been buying art over the years and they do have their own art collections, but some of them are in senior positions in their respective fields and they’re very private. Nevertheless, they were very supportive and they said, ‘OK, let’s do an exhibition.’” Exploring possible locations to house this undertaking, the collective ultimately settled on The Private Museum. Inspired by the significant number of medical doctors who make up the bulk of the collectors, the exhibition was handed a rather cheeky title: Chronic Compulsions: Selected Works from Art Addicts Anonymous. It will open on January 11, as part of Singapore Art Week 2024, and runs until March 24.

Neo starts the year fully immersed in local creativity—and we get the feeling that is exactly where she wants to be.

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Credits

Photography  

Frenchescar Lim

Make-Up  

Eunice Wong

Hair  

Eunice Wong

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