Cover The opening programme of CCP Pasinaya 2025 (Photo: Kiko Cabuena)

In February, the Philippine cultural landscape will witness a historic milestone as the Cultural Center of the Philippines (CCP) opens its doors for the 20th edition of CCP Pasinaya, the open house festival

Recognised as the country’s flagship multi-arts festival, this year’s iteration is not merely a retrospective of two decades of artistic excellence but a bold step forward. Bannering the theme “Paglikha sa Kinabukasan” (Creating the Future), the festival is set to redefine public engagement with the arts, moving beyond passive observation to active co-creation.

Slated for February 7 and 8, the festival returns with renewed energy, introducing new components, expanding to fresh venues and reinforcing its commitment to making the arts accessible to Filipinos across the archipelago.

Read more: National Arts Month 2026 celebrates the Filipino spirit across the country

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Above Various activities and performances during CCP Pasinaya 2025 (Photo: Kiko Cabuena)

The journey of Pasinaya is one of evolution. Established in 2005, it was originally envisioned as a marketing platform—a way to provide audiences with previews of the CCP’s upcoming productions and a glimpse into the performance seasons of its resident companies. Over the last twenty years, however, it has transcended its initial purpose. It has grown into the official kickoff event for the National Arts Month celebration, blossoming into a dynamic hub for arts appreciation, education and creative collaboration.

As the festival marks its 20th year, it honours a history of artistic collaboration while aggressively pivoting toward the future. CCP president Kaye Tinga highlighted this dual focus, noting that as Pasinaya marks this milestone edition, it continues to offer new experiences even for its long-standing audiences. The goal is clear: to enable wider public participation in artmaking and appreciation, expanding the festival’s reach to partner venues across Metro Manila and the regions.

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At the heart of the 2026 festival is a philosophical shift in how the public interacts with art. Guided by the theme “Paglikha sa Kinabukasan”, the event underscores the importance of engaging Filipinos—particularly the youth—in shaping the country’s creative landscape.

CCP artistic director and Pasinaya festival director Dennis Marasigan emphasised that the festival seeks to go beyond mere presentation of art. “It aims to foster a culture of active artmaking where Filipinos, especially the youth, are not just spectators but co-creators in our creative landscape,” Marasigan shared. By bringing the festival closer to communities, the CCP hopes to spark curiosity, nurture a new generation of artists and inspire audiences to sustain and elevate Philippine culture.

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Above Various activities and performances during CCP Pasinaya 2025 (Photo: Kiko Cabuena)

The festival’s programming is anchored by its two traditional pillars, offering distinct experiences on each day. On February 7, the festival opens with Palihan, a “workshop-all-you-can” experience designed for hands-on art exploration. This component invites participants to dive into a full day of creativity, learning directly from practitioners and immersing themselves in various artistic disciplines.

The energy shifts on February 8 with Palabas, the “watch-all-you-can” segment. This year, the stage will be shared by an impressive roster of 169 participating groups. The lineup includes the National Performing Arts Companies, professional performing arts groups, and individual artists, all coming together to highlight the breadth and diversity of Philippine arts on one stage.

This “workshop-all-you-can, watch-all-you-can, and pay-what-you-can” approach remains the festival’s hallmark, providing audiences with flexible ways to participate, learn, and immerse themselves in the arts regardless of their financial background.

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Above Various activities and performances during CCP Pasinaya 2025 (Photo: Kiko Cabuena)

The 2026 edition is notable for its expansive physical footprint. Projected to attract over 50,000 attendees, CCP Pasinaya is spreading its wings to multiple venues to accommodate the growing interest.

In Metro Manila, the festival has secured strategic partnerships to create a sprawling arts network. New venue partners include Rizal Park Luneta, in collaboration with the National Parks Development Committee, and Calle Wright, which joins the museum circuit. These new locations complement the existing lineup, which includes the Circuit Performing Arts Theater, the Aliw Theater at the CCP Complex and the historic Metropolitan Theater, which is used in partnership with the National Commission for Culture and the Arts.

Beyond the capital, the festival is deepening its nationwide reach. Longtime regional partners, such as the Iloilo Museum of Contemporary Arts in Iloilo City and Tagum City, are returning to join the celebration. Adding to this growing network is a new regional partner venue in Roxas City, Capiz. This expansion is crucial to the CCP’s mission, as it reaffirms a commitment to making the arts accessible to communities across the country and showcasing artists from nearby cities and regions.

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Above Various activities and performances during CCP Pasinaya 2025 (Photo: Kiko Cabuena)

Perhaps the most significant addition to the 20th edition is the debut of Paligsahan. This dynamic new component is designed to broaden public participation through a wide range of activities open to everyone.

Recognising the changing landscape of creativity, Paligsahan features competitions that blend traditional engagement with modern trends. The roster includes Paeksena, a cosplay competition; Paramihan, a TikTok video challenge and Sinag ng Pasinaya, a mobile 1v1 fighting game. Visual and cinematic arts are also represented through Pitik-Larawan (a photo contest) and the Vertical Shorts Competition (a short film competition). Additionally, the festival introduces Paseo Museo Paunahan, a stamp rally that encourages active exploration of the partner museums.

In case you missed it: CCP Pasinaya 2025 marks its most expansive programming to date, highlighting Philippine arts and culture on a global scale

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Above Various activities and performances during CCP Pasinaya 2025 (Photo: Kiko Cabuena)

CCP Pasinaya 2026 is designed to support the entire arts ecosystem, from creation and appreciation to commerce and professional development.

For the general public, the festival offers Paseo Museo, a hop-on, hop-off curatorial tour across 17 museums and galleries in Metro Manila. Selected museums will feature special performances and workshops, creating an immersive, interactive experience for visitors. To facilitate this, a free shuttle service, in partnership with the Museum Foundation of the Philippines, makes travel between venues seamless. A new addition to this segment is a walking tour of the CCP Complex led by the Heritage Collective.

On the professional front, the festival hosts Palitan, a dedicated business-to-business platform. This initiative allows professional performing arts groups and artists to foster meaningful connections with Philippine embassies, arts programmers and other key stakeholders. It serves as a vital bridge, giving participants opportunities to present their work, explore collaborations and expand their reach both locally and internationally, thereby strengthening the presence of Philippine arts on the global stage.

Completing the festive atmosphere is Pamilihan, a lively marketplace. Here, festival-goers can explore a diverse mix of food stalls, artisanal treats, and handcrafted goods, supporting local vendors and entrepreneurs while enjoying the event.

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Above Koro Ilustrado, under the baton of conductor Anna Tabita Abeleda-Piquero, performs at the Baluarte de San Diego in Intramuros (Photo: Cultural Center of the Philippines)

As the CCP Pasinaya enters its third decade, it stands as a testament to the enduring power of Filipino creativity. By combining its celebrated “open house” format with new digital competitions, expanded regional venues and professional development platforms, the festival is truly living up to its theme of “creating the future”.

Registration for this milestone event is available online through the official CCP Facebook page. For more details on the new Paligsahan mechanics or other programs, the public is encouraged to follow the CCP on social media or visit their website. Come February 2026, the CCP invites the nation not just to watch, but to create.

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Franz Sorilla IV
Art and Culture Editor, Tatler Philippines
Tatler Asia

About

Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.

Work

Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.

As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.

For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.