The beloved classic is set to premiere on December 27 at Istana Budaya. Base Entertainment Asia's CEO Chantal Prudhomme tells us more about the anticipated musical in Kuala Lumpur
“Do you know why we chose The Sound of Music?” Chantal Prudhomme asks. “Because at its core, it is a story about a transcendent love that perseveres and grows even in the most difficult of times.”
No matter the medium of its portrayal, be it the musical, the film, or the whimsical opening of Edelweiss on a recorder, this world-renowned musical production is well-loved by many. And for the chief executive officer of an international entertainment company that specialises in live performances and theatre operations, it served as both a challenge and a motivator to provide only the best for Malaysian audiences as the company brings the Broadway musical to Istana Budaya’s stage on December 27.
The story, for those who are unfamiliar, depicts the tale of Maria Rainer, a young nun turned governess of the von Trapp children, who falls in love with them as she teaches them music. Along the way, the children warm up to her, eventually adoring the governess and piquing the interest—as well as disapproval—of their strict, aloof father, Captain Georg von Trapp. As the family navigates through many trials of the heart, from a daughter’s self-discovery, a father’s attempt to understand his children better, to a woman trying to find her place with her newfound family, Prudhomme explains that it parallels with our present reality.
The Sound of Music speaks of perseverance, patience, love, and joy, elements that Prudhomme hopes audiences take home with them after watching the musical, especially in a post-pandemic world.
“You can walk away [from the show] with a smile on your face; you can smile while watching the show as you sing along with the cast,” she says. “That said, with how familiar everyone is with the show, it’s paramount that we honour that nostalgia and respect the trust that our international producers have given us to run the show. Seeing as [the musical] is a huge undertaking in terms of technicality and resources, part of why we took so long with both The Phantom of the Opera in 2002 and The Sound of Music was because we needed to not only consider the venue, but its portrayal and the introduction of local cast members.”
Read more: Here's How Ballet Theatre Malaysia Brought the Dramatic Story of Carmen to Life