Cover S-Ann Ch’i on the evocative power of abstract art
S-Ann Ch’i on the evocative power of abstract art
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Painter S-Ann Ch’i tells us more about her exploration of abstract art
When a viewer examines a gestural abstraction work, the immediate response usually sits between intrigue and confusion. One might find the work teeming with a multitude of meanings, layer upon layer of colours and strokes that might be understood either by deconstructing the work or looking at it closely and for a little bit longer to achieve an optical illusion. One might also encounter a particular atmosphere evoked by the chosen colours, which hints at the artist’s emotions, expressions, desires, and frustrations. A sigh or a cry could have been realised in drips and blotches. Ectsasy could have been the impetus for the stroke that cuts the frame into two.
Indecipherable at one glance, a gestural abstraction is a window to an artist’s soul that was unfathomable at one point but laid bare, vulnerabilities and inhibitions aside, for the world to see.
Above S-Ann Ch’i delved into abstract painting after getting fascinated by the sumi-e style
S-Ann Ch’i delved into abstract painting after getting fascinated by the sumi-e style
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Abstractionist S-Ann Ch’i, whose heart also lies in biomedical science and philanthropy, finds this particular lane of art like “a dance, a flow, a series of sensations,” as she shared with Tatler in 2021. Her pseudonym speaks for her art influenced by the Chinese philosophy of life force or energy flow. In visiting various Buddhist temples in her teenage years, she found the graceful incense smoke trails captivating, leading her to explore the art of sumi-e.
“It began as a meditative exercise in 2010,” S-Ann Ch’i says during our recent catch-up after her works were auctioned off at the Pink Ribbon Ball for the benefit of Breast Cancer Now. “I was fascinated by the passion that one single brushstroke could capture. As my work progressed, I began to experiment with the layering of colour and the use of varied tools to produce texture and form,” she continues.
Read more: Brian Uhing and S-Ann Ch’i: Explore the colourful world of this visual artist couple
Above A piece of S-Ann Ch’i’s works from the exhibition, ‘Love is the whole thing. We are only pieces’
A piece of S-Ann Ch’i’s works from the exhibition, ‘Love is the whole thing. We are only pieces’
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Looking at some of her pieces today, I see much has developed in S-Ann Ch’i’s aesthetics. Balance in her composition is still present, but instead of brushstrokes, we see more geometrical formations that are more constructive and concrete.
“My approach is still centred around meditation,” she explains. “I love how you must clear out and silence the mind as you begin. After this, I surrender to the dance of painting, which I find to be a very peaceful and relaxed state of being,” S-Ann Ch’i says. As the piece comes together, the artist finds her process escalating to compositions that surprise her, making the experience even more fulfilling.
Always fascinated by the works of Mark Rothko, Jackson Pollock, and Sesshū Tōyō’s sumi-e paintings, S-Ann Ch’i understands that balancing control and letting go is the key to unlocking access to the divine in gestural abstractions.
Above A piece of S-Ann Ch’i’s works from the exhibition, ‘Love is the whole thing. We are only pieces’
Above A piece of S-Ann Ch’i’s works from the exhibition, ‘Love is the whole thing. We are only pieces’
A piece of S-Ann Ch’i’s works from the exhibition, ‘Love is the whole thing. We are only pieces’
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Recently, S-Ann Ch’i exhibited her works for a cause at The Foundry for CARE International UK, titled Love is the whole thing. We are only pieces, and participated in the silent auction of Breast Cancer Now in London. From the UK, she also exhibited in Maryland, USA, with her better half and creative partner Brian Uhing, for the benefit of children diagnosed with cancer.
“Philanthropy and art aren’t really a choice but more of a state of being and a logical path of action for anyone who wishes to truly exist as a human being,” S-Ann Ch’i says, answering what keeps her going to making art to pursue her philanthropic efforts. “We are capable as a species to feel empathy, humour, and to imagine! I’ve always felt that you should live for something bigger than yourself, and usually, the truly big things in life are without ego,” she adds.
Above S-Ann Ch’i and Brian Uhing
S-Ann Ch’i and Brian Uhing
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The success of her solo exhibition in the UK amplifies her objective, allowing her viewers to see the profundity of love. “As the title hints, I wanted the audience to feel that they are all part of something bigger than their individual selves. That we are all ‘love’—and that force can be channelled to do greater good,” S-Ann Ch’i says.
Looking back at her recent achievements, the artist has nothing but gratitude. “First off, [to] the universe and to my husband whose love and unfaltering belief in me and my actions. He has always served as an overflowing spring of inspiration and strength!” the artist exclaims.
Above S-Ann Ch’i believes in and lives by the melding of philanthropy and art
S-Ann Ch’i believes in and lives by the melding of philanthropy and art
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Before she embarks on another fruitful year this 2025, she shares that she has come to realise that the universe is elegant and sophisticated in its machinations.
“With a willing heart and uncluttered trusting mind, only good can come and continue to come from it when your desire is to help,” she concludes.
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About
Before assuming the Art and Culture Editor position, Franz has always had a penchant for visual and performing arts. He is passionate about exploring and writing about the local cultural scene and rediscovering the country’s storied past and rich heritage. Besides working on this luxury lifestyle magazine, Franz is an avid book reader, local traveller, museum-goer, chorister, and community theatre playwright.
Work
Franz earned a degree in Journalism from the University of Santo Tomas. He writes about local visual and performing artists and their craft; drinks wines, liquors, and spirits and talks about the creativity of their respective winemakers and master blenders; tries to learn more about business and investments; respects the tradition and artistry that go behind the making of watches and jewellery; and appreciates the genius of architecture and creative design.
As head of Tatler Philippines’ pool of writers, he helps them bring impactful and socially relevant stories to light.
For any leads, you may reach him through @franzsorillaiv on Instagram or franz@tatlerphilippines.com via email.
