Demos Chiang, Massive cute, 2024, Canvas, Mixed Media, 84 x 134 cm. (Photo: courtesy of Whitestone Gallery)
Cover Demos Chiang, Massive cute, 2024, Canvas, Mixed Media, 84 x 134 cm. (Photo: courtesy of Whitestone Gallery)
Demos Chiang, Massive cute, 2024, Canvas, Mixed Media, 84 x 134 cm. (Photo: courtesy of Whitestone Gallery)

Louis Ho, programme director of Singapore Gallery Month 2024, picks the 10 must-see exhibitions this September, from Japanese superstar Yayoi Kusama to Singapore’s own Ruben Pang

Singapore Gallery Month (SGM) is one of the premier events in Singapore’s arts calendar. Previously known as Art Gallery Weekend, SGM has been rebranded and takes place this year from September 1 to 29.

It features a full calendar of exciting events, ranging from exhibitions, sake tastings and a speed dating event for young artists and collectors, to educational talks on the art ecosystem as well as children’s activities and curated tours. One of the cornerstones of SGM’s programming is the Patron’s Pass. The pass offers holders exclusive access to a series of tours of private art collections built by passionate, informed collectors, and which are not otherwise accessible to the public.

Louis Ho, programme director of Singapore Gallery Month 2024, picks the 10 must-see exhibitions this September, from Japanese superstar Yayoi Kusama to Singapore’s own Ruben Pang.

There’s something for everyone, from collectors keen on big names to art enthusiasts interested in learning about local artists. 

Read more: 7 private art collections you can tour in grand local homes, exclusively during Singapore Gallery Month

Yayoi Kusama: Every Day I Pray For Love, a solo exhibition by Yayoi Kusama, at Ota Fine Arts

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Yayoi Kusama, Every Day I Pray for Love, 2023, Acrylic and marker pen on canvas, 65.2 x 65.2 cm. Image courtesy of Ota Fine Arts.
Above Yayoi Kusama, Every Day I Pray for Love, 2023, Acrylic and marker pen on canvas, 65.2 x 65.2 cm. (Photo: courtesy of Ota Fine Arts)
Yayoi Kusama, Every Day I Pray for Love, 2023, Acrylic and marker pen on canvas, 65.2 x 65.2 cm. Image courtesy of Ota Fine Arts.

Japanese artist Yayoi Kusama is one of the brightest luminaries in the contemporary art world, famed for her use of polka dots. Since the pandemic, she has been working in her own room, and the size of her work has become proportionate with her living space. Every Day I Pray for Love features her latest works in marker pen and acrylic paints, in which her own poems and messages in Japanese or English are written. 

Eruption, a solo exhibition by Kenny Nguyen, at Sundaram Tagore Gallery

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Kenny Nguyen, Blooms No. 2, 2024, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 60 x 114 inches/152.4 x 289.6 cm. Image courtesy of Sundaram Tagore Gallery.
Above Kenny Nguyen, Blooms No. 2, 2024, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 60 x 114 inches/152.4 x 289.6 cm. (Photo: courtesy of Sundaram Tagore Gallery)
Kenny Nguyen, Blooms No. 2, 2024, hand-cut silk fabric, acrylic paint, canvas, mounted on wall, 60 x 114 inches/152.4 x 289.6 cm. Image courtesy of Sundaram Tagore Gallery.

Vietnamese-American artist Kenny Nguyen creates mixed-media paintings that are centred on ideas of cultural identity and displacement. He grew up on a coconut farm in rural Vietnam and relocated to the United States as an adult, turning to art as a coping mechanism for feelings of alienation and isolation. Drawing on his work with textiles, he produces sensuous, three-dimensional silk-based objects that he describes as “deconstructed paintings.”

Season Changes: Demos Chiang, a solo exhibition by Demos Chiang, at Whitestone Gallery

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Demos Chiang, IN BREEZE, 2024, Canvas, Mixed Media, 83 x 134 cm. Image courtesy of Whitestone Gallery.
Above Demos Chiang, In Breeze, 2024, Canvas, Mixed Media, 83 x 134 cm. (Photo: courtesy of Whitestone Gallery)
Demos Chiang, IN BREEZE, 2024, Canvas, Mixed Media, 83 x 134 cm. Image courtesy of Whitestone Gallery.

Taiwanese artist Demos Chiang’s contemporary literati art style blends Eastern and Western cultures. He works across various mediums, including painting, installation and street art. His latest exhibition captures the rich and diverse changes of the seasons, encouraging viewers to reconnect with their memories of nature's cycles through his use of animal imagery.

Prometheus, a solo exhibition by Ruben Pang, at Richard Koh Fine Art

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Ruben Pang, Lifehunter, 2023, Oil alkyd and dammar varnish on aluminium composite panel, 120 x 180cm. Image courtesy of Richard Koh Fine Art.
Above Ruben Pang, Lifehunter, 2023, Oil alkyd and dammar varnish on aluminium composite panel, 120 x 180cm. (Photo: courtesy of Richard Koh Fine Art)
Ruben Pang, Lifehunter, 2023, Oil alkyd and dammar varnish on aluminium composite panel, 120 x 180cm. Image courtesy of Richard Koh Fine Art.

Ruben Pang’s work reflects his effusive and spontaneous approach to the act of painting. The Singaporean artist, who is based in Italy, has a keen interest in metaphysics. The images in “Prometheus” are based on archetypal stories, such as the Quest, Rebirth, and Voyage, and their visual language evinces varying degrees of abstraction and figuration.

Deja vu: Buddha is Hiding, a solo exhibition by Natee Utarit, at STPI

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Installation view of Déjà vu: Buddha is Hiding. Image courtesy of STPI – Creative Workshop & Gallery, Singapore.
Above Natee Utarit, Buddha Napoli (series installation view), 2024, acrylic paint, screenprint and flocking on linen, 161.3 x 129cm each (Photo: Courtesy of the artist and STPI – Creative Workshop & Gallery, Singapore)
Installation view of Déjà vu: Buddha is Hiding. Image courtesy of STPI – Creative Workshop & Gallery, Singapore.

Natee Utarit is one of the most celebrated artists in Thailand. While his visual language is premised on familiar genres of European art history, from history painting to landscapes, his worldview is a globalised, postcolonial one. The present exhibition is a culmination of his residency at STPI in 2023, during which he continued the “Deja vu” series that reimagines the histories of the East and West.

Let The Light Carry Me, a solo exhibition by Charles-Joseph de Ligne, at Highlight Art

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Charles-Joseph de Ligne, Artist’s Intestine, 2019, Silver halide C-print; Fuji Crystal Pro Archive Max Paper, 80cm x 120 cm. Image courtesy of Highlight Art.
Above Charles-Joseph de Ligne, Artist’s Intestine, 2019, Silver halide C-print; Fuji Crystal Pro Archive Max Paper, 80cm x 120 cm. (Photo: courtesy of Highlight Art)
Charles-Joseph de Ligne, Artist’s Intestine, 2019, Silver halide C-print; Fuji Crystal Pro Archive Max Paper, 80cm x 120 cm. Image courtesy of Highlight Art.

Charles-Joseph de Ligne, who was born H.H. Prince Charles-Joseph M. de Ligne – La TrémoÏle, is a French-Belgian artist who works chiefly in the photographic medium. His works are exercises in the power and symbolism of colour, which evokes feelings and moods for the viewer. In his hands, the image becomes a large screen, “which challenges and encourages the viewer to walk around it, to enter it, to get lost in it.”

Wei Leng Tay: Staring into Voids and Blues, a solo exhibition by Tay Wei Leng, at Yeo Workshop

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Wei Leng Tay, Untitled (Tay in Five Parts), 2024, Cyanotype on cotton rag, dimensions variable. Image courtesy of Yeo Workshop.
Above Wei Leng Tay, Untitled (Tay in Five Parts), 2024, Cyanotype on cotton rag, dimensions variable. (Photo: courtesy of Yeo Workshop)
Wei Leng Tay, Untitled (Tay in Five Parts), 2024, Cyanotype on cotton rag, dimensions variable. Image courtesy of Yeo Workshop.

Comprising photographs and installations, Singaporean artist Tay Wei Leng’s latest exhibition pivots on the ways in which photographic and visual documents influence memory and our perception of history. Tay’s works are cantered on her approach to reconsidering what a photograph is, and how images–and therefore histories–can be interpreted.

Rite of Passage, a solo exhibition by Carmen Ceniga Prado, at Sullivan + Strumpf

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Carmen Ceniga Prado, New Life, 2024, ink and acrylic on canvas, 200 x 150 cm. Image courtesy of the artist and Sullivan + Strumpf.
Above Carmen Ceniga Prado, New Life, 2024, ink and acrylic on canvas, 200 x 150 cm. (Photo: courtesy of the artist and Sullivan + Strumpf)
Carmen Ceniga Prado, New Life, 2024, ink and acrylic on canvas, 200 x 150 cm. Image courtesy of the artist and Sullivan + Strumpf.

Paintings in this show by Spanish artist Carmen Ceniga Prado speak to the radical changes in her body before and after the birth of her first child. Through the language of abstraction, her works use the body as a starting point. They reflect a range of emotional states or embodied sensations, such as darkness, clarity and anxiety. 

Being and Nothingness - A Discourse on Identity, a solo exhibition by Nathan Yong, at Artcommune

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Nathan Yong, Screen, 2024, Mirror finished stainless steel, 170 x 46 x 180 cm. Image courtesy of the artist and artcommune.
Above Nathan Yong, Screen, 2024, Mirror finished stainless steel, 170 x 46 x 180 cm. (Photo: courtesy of the artist and Artcommune)
Nathan Yong, Screen, 2024, Mirror finished stainless steel, 170 x 46 x 180 cm. Image courtesy of the artist and artcommune.

This exhibition by Singaporean industrial designer and artist Nathan Yong features ten new works crafted from stainless steel. The meeting of art and industrial design has an illustrious history, and was explored by Minimalist artists such as Donald Judd and Dan Flavin. Yong aims to overturn conventional knowledge of furniture, pushing these objects beyond their usual familiarity in our lives. 

Lin Aojie: Playing it Safe in 2023, Praying for Wealth in 2024, a solo exhibition by Lin Aojie, at ShanghART

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Lin Aojie, Southeast Asian Art Scene, 2024, iPad painting, archival inkjet print, mounted on aluminium, 100cm x 70 cm. Image courtesy of ShanghART.
Above Lin Aojie, Southeast Asian Art Scene, 2024, iPad painting, archival inkjet print, mounted on aluminium, 100cm x 70 cm. (Photo: courtesy of ShanghART)
Lin Aojie, Southeast Asian Art Scene, 2024, iPad painting, archival inkjet print, mounted on aluminium, 100cm x 70 cm. Image courtesy of ShanghART.

Guangzhou-based Lin Aojie’s solo exhibition brings together his recent works that are based on witty insights gathered from his observations of the art industry, society, and the world at large. His approach of discussing serious topics in a light-hearted manner positions himself as a unique voice in this increasingly complex and fragmented world.