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Cover William Louey at home
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Tatler visits Kowloon Motor Bus director William Louey at his home on The Peak in Hong Kong—a place where, beyond the breathtaking views, his personal philosophies meet design innovation

William Louey’s home doesn’t just have any view—it has the view.

His home, on The Peak, has an enviable panorama that encompasses Victoria Harbour, parts of western Hong Kong Island and the Kowloon peninsula. It’s easy to get lost in the views—ships moving in the harbour, cars that look the size of toys driving past the Hong Kong Observation Wheel, pools in five-star hotels glistening in the sun, birds flying by the hills—and then, back in the estate, palm trees in the gardens swaying gently in the cool breeze, something The Peak is famous for. Inside the home, however, is where Louey’s creativity and attention to detail come into full force.

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Above William Louey in his dining room
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The fourth-generation heir of Kowloon Motor Bus (KMB), who is a director of the company, was born on this very estate. “I had a very nice childhood living up here, [but] it was a little lonely,” he says. He grew up there with his grandmother back when it was a mansion of over 25,000 sq ft. When she died in 1994, Louey decided to redevelop the property, transforming it into six houses.

Today, Louey and his family—his wife, Marie-Christine Lee-Louey, and their two children—occupy two of the houses. The others are home to his cousins. The houses each take up about 5,500 sq ft. Priding himself on having designed all his homes, Louey tells us, “I like to do things that people have never done before.”

The family’s primary residence has four bedrooms and six bathrooms. The interiors are dominated by a variety of bold materials, like steel, walnut and stone, creating a sharp contrast against the views outside. Stepping in through the main entrance, an informal living space comes into view. “It is a very cosy place for the family—my kids like to entertain their friends here,” says Louey.

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Above The living room with its curved seating and perforated ceiling
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Above The view from the dining room at night

Creating cosiness in a residence of this size is no mean feat, but Louey, who commissioned architect Annette Chu of the Hong Kong-based studio Eureka to bring his designs to life, envisioned this space very much with comfort, relaxation and, of course, family in mind. This living room is a meandering space enclosed by a curved glass wall; its shape is inspired by an island in the Black Sea the family once visited. Plus, “I don’t like geometric designs—I like everything to be irregular.” Individual sofas are inefficient, he adds—that’s why, in line with the space’s curves, the seating is irregularly shaped. The space is completed by a perforated ceiling, on which the silhouettes of the four members of the family are depicted. It’s far more than a piece of art: Louey doesn’t like air conditioners to be visible in the home, and the ceiling hides these from view; the perforations are air vents.

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Above The stage in the dining room with storage beneath
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Above Louey in his man cave
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Above By the estate's pool
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Further inside, the dining room comes into view, with the million-dollar panorama visible through floor-to-ceiling windows; a large terrace is accessible through this space. It has a bespoke round wooden table, designed by Louey, standing front and centre. Instead of a lazy Susan on the dining table, he wanted something a little unusual. This is why two revolving discs, which have been treated to create a refined patina finish, hang on the walls. They are outer rings for the dining table: when installed, they expand the table’s diameter from about 2m to almost 3m. The discs, which are irregularly shaped, look like pieces of art when hung. “I want to keep [meals] cosy and have a small table to eat on with the family, [but be able to] expand it.” The dining room also has an elevated stage; it has a turntable, on which a piano that belongs to Louey’s daughter stands. Underneath the stage are storage spaces that are hidden from view. Even a home of this calibre needs smart storage solutions, after all—something that would no doubt resonate with most Hongkongers.

I don’t like geometric designs—I like everything to be irregular

- William Louey -

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Above The TV room
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Above One of the bathrooms in the home, which has the same aesthetics as the common areas

The stage in the dining room is connected to the handrail of the steel staircase, transforming a functional feature in the home into a work of art. One level up is a floor-to-ceiling wooden shelf dedicated to the display of Louey’s prized collection of toys—an area Louey refers to as his man cave. On the shelf is where knick-knacks, like KMB bus models, a figurine depicting Louey and a series of Paddington Bears, as well as cherished photographs, sit side by side. The space leads to a room for relaxing and watching TV—if you can turn your attention away from the views, that is.

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Above One of the family’s dogs rests on the staircase

Besides the primary residence and the second house, Louey is transforming a third one into a private wellness sanctuary, complete with an infrared sauna, steam room, hyperbaric chamber and additional guest rooms. Lee-Louey and the children are sporty people, he says—the amenities will help them recover after workouts. Other amenities on the estate include an outdoor pool and gardens, which the family enjoys mainly in summer. The estate isn’t just for private living; there is a function space that can accommodate more than 100 people. Some of Louey’s fondest memories, however, aren’t about lavish parties but the simple joys of childhood and precious time with family. “My grandmother bought me eight Alsatians; I was known as the little kid walking eight dogs on The Peak.”

Behind every curve, every hidden detail and every carefully chosen element, a sense of intimacy and connection to family life are still very much present. “I have no attachment to material things. I’m only attached to people—my family and friends.”

Andrea Lo was the Executive Editor of Tatler Hong Kong and Editor of Tatler Macau.

Born in Canada and raised in Hong Kong and England, she started her career in journalism in 2012.

Follow her on Instagram @andreastephenielo.