A couple’s love for the land of simple beauty and craft is reflected in the Japanese-style interiors of their Singapore apartment by Wilma Wu Design Studio
Wilma Wu’s beautiful oeuvre is defined by elegance, attentiveness, rich materiality and an authentic, subtle Asian sensibility. The Singapore-based designer founded her eponymous practice after working for world-renowned hospitality firm HBA and boutique design studio Jaya International; at the latter, she tutored under the legendary late Indonesian interior designer Jaya Ibrahim. She currently leads her namesake firm with her partner and design director Ian Lee.
A good example of her work is an apartment at Nassim Park Residences in Singapore, where an Indonesian-Chinese couple with three young children reside. This 5,000 sq ft ground floor unit, which came with a private swimming pool and terrace for outdoor dining, is infused with the simplicity and serenity found in Japanese interior design. The owner wanted to explore a more minimalist style for their new abode, after having lived in previous homes that featured a more streamlined, contemporary Italian bent.
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Above Wilma Wu, founder and creative director of her eponymous practice

Above Touches of Japanese-style grills are incorporated into furnishings and cabinetry
“They really missed travelling to Japan and thought it would be nice to have a home with Japanese influences that blends in with the tropical context. They would love to return home feeling relaxed, to a place with the vibe of a holiday home. Of course, as this is a long- term residence, [a sense of ] timelessness was what they were looking for,” says Wu.
She also took inspiration from the work of landscape architect Shunmyo Masuno, who did up the development’s lush environment and is known for blending modern design with traditional Japanese elements.
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Plentiful storage was another requirement for the family, with clutter hidden away to create calming and inviting spaces for the couple and their three young children. Throughout the home, only the wide-plank, grey-washed European oak flooring was retained while everything else was refurbished. The foyer is made cosy with ambient lighting and a concealed cabinet for shoes. It also incorporates a small bench area designed in the style of a genkan—a traditional Japanese entryway comprising a porch and doormat.
The cantilevered slatted ceiling anchors the main living spaces along the window. The wall cladding comprises panels that are wrapped with linen, and in consideration of the young family’s needs, can be detached to be replaced when it gets dirty over time. Behind the TV console, European pale oak veneered walls provide a pleasant backdrop. “Each wood panel underwent three rounds of a hand-sanding and hand-lacquering process to achieve both a soft aesthetic and feel,” Wu explains.
In the dining area, a round table that can accommodate up to 10 guests allows people to move around the space. Above it floats a pendant lamp from Atelier Alain Ellouz, which is a sculptural piece crafted from alabaster and tanned leather straps. A large, L-shaped sofa is positioned against the wall so the children can run around and play unencumbered. Subtly dividing the two zones is a bespoke console table, with the top lined with French black straw marquetry and solid brass details and legs in black lacquer gloss.
“Straw marquetry is an ancient technique that has been used in Europe since the 1600s. We hope that this furniture can be a family heirloom that will be passed down for generations,” says Wu. This is one of the many bespoke elements she has designed for the home. The coffee table—with soft tips that curve upwards to prevent items from falling—and side table, with a streamlined, orthogonal structure, are others.

Above The Louis Poulsen PH 2/1 Table Lamp adds a subtle accent to the bedside

Above The master bathroom features a built-in bathtub inspired by onsens, which are Japanese hot spring baths

Above A backlit mirror makes a striking statement in the powder room

Above A shelving unit inside the master bedroom displays the couple’s beautiful decor effortlessly
The bedrooms are designed as sanctuaries for rest. In the master bedroom, wood, granite, silk and linen form the palette. “We balanced between hard and soft tactility, picking materials that would age beautifully over time,” says Wu. A tapestry of timber panels dressed in fabric and silk wall coverings mimic the quiet atmosphere that Japanese materials such as washi paper, shoji screens and tatami straw mats evoke. A tea corner by the window with the view of the pool is made welcoming with slatted, cantilevered screens to filter the light while hiding the bulky aluminium louvres on the architectural facade.
The entire master bathroom was also reconfigured. Wu added an onsen-style bathtub and a separate sit-down shower area, in line with the home’s Japanese influences. “A dresser was also placed within the bathroom as the wife wakes up early and as her husband needs rest from his busy schedule, she prefers to dry her hair and dress up in the bathroom instead of in the master bedroom where she might disturb him,” explains Wu.
Here, granite has been hammered, brushed and flamed for a soft look and crafted texture. “Every piece of furniture, including the wall light made from alabaster, as well as the towel tray and dresser, has been designed to create a harmonious environment,” says Wu.
Her attention to detail is palpable, and was instrumental in creating a home where the owners’ art and personal belongings blend seamlessly with the interior design.

Above Granite details are seen across furnishings in the bathroom

Above The generous use of light wood amplifies the restful atmosphere in the study
Credits
Photography: Max Lim















