DJ, violinist and producer Olivia Dawn Mok, who goes by Xiaolin, reveals her five favourite tracks

It's hard to forget the exuberant joy of hearing one of Xiaolin's mixes for the first time. Euphoric synths and immersive production underpin a sound that reaches across the genre spectrum and deliver tracks that feel exhilarating and unexpected, blurring the lines between classical and electronic music. Olivia Dawn Mok's journey from music lessons as a child to embarking upon a prestigious conservatoire education to causing dancefloors to pulse with energy the world over is a lesson in perseverance and following your passion.

She began learning violin and piano at five years old, and at ten was performing solos alongside an orchestra. After graduating from both The Juilliard School and Berklee College of Music, Mok was listed alongside pop star Charlie Puth as one of the “30 Under 30” most successful Berklee alumni for her collaborations across genres.

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However, her career diverged from classical music after she went to her first music festival and watched a set by British electronic producer Jamie XX. "It was amazing; I'd never seen that level of production and this one person was doing a live set of original music and visuals. It dawned on me that in classical music, to produce a big sound you’d need an entire orchestra, but in electronic music you can do that with just one person. You can create a world for people with just your equipment." 

"I was almost in tears at this show," she adds. "I realised: this is what I want to do."

Here, Mok shares her five favourite tracks guaranteed to brighten her day:

Above MIHN002, the 2021 EP by Xiaolin

'Plastic Love' - Mariya Takeuchi

This song is special to me because not only is it one of the most classic 80s Japanese city pop tunes, it represents my growth and development between 2020 and 2021. Music is memories. I like to encapsulate my life experiences into songs so I can always go back to them and remember what I've been through. Last year was the most crucial developmental year for me musically, and I will never forget the lessons I've learnt and the knowledge that I've accumulated. Anita Mui does a great cover of this tune, in a very unique way, but I still quite prefer the original bubblier version.

Above 'Plastic Love' - Mariya Takeuchi

 '事後' - Prudence Liew

This is also another 2020 pandemic song. Not one of her most well-known tunes but I find it very sensual lyrically, yet fun and light-hearted musically. I discovered it last year through a friend and fell in love with it. I've made a downtempo dub cover of this song with my own vocals—it's a secret one, still a work in progress.

Above  '事後' - Prudence Liew

'Tightrope' - Steel Pulse

My favourite reggae tune of all time. Something about reggae just lifts me up whenever I feel hopeless or down. It just reminds me that everything is going to be OK.  There's nothing fancy or intellectual about this song; it just feels good and I can listen to it on loop.

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Above 'Tightrope' - Steel Pulse

'Sea-Watch' - Floating Points

I really look up to Floating Points because, to me, he represents a true artist who not only can play (live and DJing) in a club setting, but also has a deep knowledge and respect for jazz music. His latest album Crush was given to me as a Christmas gift in 2019, and the track Sea-Watch is my favourite one of his to date. It has a calming, meditative energy and feels almost more like a painting rather than a song. I really like sound art and film soundtracks; when you hear the music you can visualise it, too. The art in the album was made by him as well, using digital particles.

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Above 'Sea-Watch' - Floating Points

'The Sun Can't Compare' - Larry Heard

A timeless classic from the 80s acid house era. Larry Heard is the reason I got into electronic music in the first place. His music is mostly made up of a simple 909 drum beat and a 303 acid line, with some vocals layered over the top. I've seen him live once at [London nightclub] Printworks where he performed his song Can You Feel It? and I almost cried.

Above 'The Sun Can't Compare' - Larry Heard

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