“Certain works and objects have the ability to transcend categories,” says James Hyslop, head of science and natural history at Christie’s.

Costas Paraskevaides, director of London art, antiques and fossil gallery ArtAncient, agrees. “There is an excitement in collecting these provocative works and placing them alongside conventional works of art,” says Paraskevaides, who has begun to exhibit and sell fossils at art fairs. At Frieze Masters in London in 2019, ArtAncient sold a T rex tooth to a collector of contemporary art who was new to natural history.

Collectors’ desire to own a velociraptor to hang next to their Velazquez or a diplodocus to match their Damien Hirst is not new. “There is a long and rich association between [natural history] and the wider art market. It is really born in the kunstkammers and cabinets of curiosity first seen in Europe, and recently these have had a revival,” says Christie’s expert Hyslop. Those cabinets, which were popular among European aristocracy and royalty in the 16th and 17th centuries, were eclectic collections that mixed art, antiques, fossils and furniture.

While some collectors today are developing extensive, thoughtful kunstkammers, others are on the hunt for one trophy specimen. “I have observed an increasing trend of businessmen or corporations who invest in one iconic, signature specimen, more for the spectacle they bring to their guests than as a collection,” says Chu.

See also: Are Online Viewing Rooms Effective In Selling Art To Collectors? A Report Says Perhaps Not

Auction boom

The recent boom in buying fossils can be traced through auction records. When Christie’s first started growing its natural history department in 2012 and 2013, sale totals for the year would hover around £100,000. In 2019, Christie’s sales of natural history lots totalled more than £2.5 million. Sotheby’s sold a T rex for US$8.3 million in 1997; that record more than tripled with the sale of Stan this year. In 2010, Sotheby’s sold a complete skeleton of an allosaurus—a smaller cousin of the T rex—for just under €1.3 million; this October, Parisian auction house Binoche et Giquello sold a similar fossil for more than €3 million.

Binoche et Giquello has sold multiple dinosaur skeletons to collectors in Asia in recent years. “The triceratops skull we sold in 2017 was purchased by a wealthy Chinese businessman with a massive hotel chain,” says Iacopo Briano, co-founder of art and fossils gallery Art Sablon in Brussels, who advises Binoche et Giquello on its natural history sales. “It’s now the centrepiece of the hall of a spa hotel in mainland China.”

In 2018, a collector from the Philippines dropped roughly €3 million on a pair of fossils: a long-necked, herbivorous diplodocus and a meat-eating allosaurus, posed as if they were fighting.

Briano has long advised collectors in Asia. “One of the starting points of my career was consulting from 2008 to 2014 for a Surabaya-based businessman, Indonesian of Chinese origin, for whom I curated the building of a massive fossil collection,” he says, adding that he knows of a Thai family with an impressive collection of dinosaurs and has sold “great specimens” to collectors in China and Taiwan. “China is due to become the biggest source of wealthy collectors,” he says.

Hyslop has noticed another trend in the region: “The demographic of natural history buyers in Asia tends to be younger than that of US and European buyers,” he says, adding that there are also active collectors in Japan and South Korea.

Many fossil collectors are intensely private, partly because of the controversy surrounding the trade in these rare artefacts. Following the sale of Stan, many palaeontologists and museum curators voiced their concerns that this rare dinosaur—one of the most complete T rex skeletons ever found—would be lost to science. When a fossil is sold at auction, the conditions of the sale rarely stipulate that the buyer must lend it to scientific studies or exhibit it publicly.

There was also outrage over the stratospheric price, partly because it was beyond the reach of many museums, but also because scientists believed the money could be better used to benefit academia and, ultimately, the public. David Evans, a palaeontologist at the Royal Ontario Museum and associate professor at the University of Toronto, tweeted: “I calculated that if the US$32 million was invested at 4 per cent per annum return rate, it could fund over 80 full, six-week expeditions per year, forever. Think of all the amazing specimens that would be found.”

Loaning out bones

While it remains unclear whether Stan’s mysterious new owner will loan the skeleton to museums or scientists, other collectors are making a concerted effort to share their treasures.

The largest dinosaur museum in the world is the Tianyu Museum of Nature in Shandong, China, which was founded by gold-mining tycoon Zheng Xiaoting. The Stephen Hui Geological Museum at the University of Hong Kong carries the name of the late mining engineer, geologist and philanthropist who donated his extensive rock, mineral and fossil collection to the university to establish the city’s first geological museum.

Chu founded the social group Singapore Fossil Collectors, which organises fossil exhibitions and meet-ups between fossil enthusiasts, and is behind the Travelling Natural History Museum, an initiative that sees Chu and other collectors bring their fossils to schools around the city-state.

“I see it as my duty to use the Travelling Natural History Museum to bring the science of palaeontology, the art of fossil collecting and the wonders of nature and imagination to schoolchildren,” says Chu.

“Singapore’s education system emphasises STEM subjects [science, technology, engineering and mathematics] heavily; there has traditionally not been much focus on natural history. I have also loaned parts of my collection to the Science Centre Singapore and the ArtScience Museum for exhibitions.” 

Chu's Collection

Nothing in Chu’s collection is on the scale of a T rex—“though it would be nice to have a giant T rex skeleton one day,” he jokes—but he owns some unusual items.

“One of my rarest fossils is a tyrannosaurid mandible from a joint Russian-German expedition in the Seventies from Kazakhstan,” he says.

“It has an interesting provenance: it sat with a paleontologist of the Moscow Museum until the Berlin Wall fell, then it was sold to a Swiss collector, then a Belgian preparator sold it to me. I had reached out to a world authority on tyrannosaurs, to check if there was scientific value that might call for the specimen to be shared, but unfortunately the specimen did not come with detail that would be necessary for further academic study.”

Chu also owns a skull of a machairodus giganteus, the largest sabre-tooth cat to have ever existed, and a complete fossil of a Cretaceous raptor curled up in a sleeping position.

At the time of writing, Chu is not actively hunting for any particular fossil. “I have to say that with hundreds of specimens in my collection, I am pretty contented. But I regularly monitor the fossils market to see what major discoveries have been dug up.” And when he does find something special, he still feels the buzz he felt as a child. “Unlike many other objects of desire, each fossil is absolutely unique and one-of-a-kind in the world,” he says.

“When you look at a fossil, there is a sense of wonder that you are gazing upon an ancient life form.”