As cliche as it may sound, this 24-year-old photographer's impressive portfolio proves that pictures are in fact worth more than a thousand words and may just be what we need for a change in perspective
When it comes to Daniel Adams’ work, he doesn’t pull his punches—nor does he intend to do so. Vivid in colour and full of character, every picture he takes is armed with a purpose. Ever since his parents gave him his first camera at the age of 14, the now 24-year-old Adams makes it a point to put meaning beyond the lens, in hopes of sparking conversations about topics that, in the conceptual photographer's words, “hit close to home."
Creating emotionally charged images that not only shed light on social injustices at home and abroad, he shares stories of minorities affected by discrimination and reveals personal journeys of grief and loss.
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His knack for storytelling was evident in a collaborative project last year for an exhibition hosted by GOFY, a Singapore-based creative community that curates new works in Southeast Asia’s art scene. Tasked with interpreting western artworks from a local perspective, he, alongside fellow artist Abinaya Dhivya, put their own spin on Gustav Klimt’s Woman In Gold “to create a discussion on the oppression faced by the Indian community in Malaysia."
Naming their piece A Woman Bound In Gold, the photograph at first glance dazzles with its yellow-gold motif, but upon closer inspection, one would be able to realise no prop or detail placed is without its purpose. According to Adams, the nine bloodied darts above the model represent the number of victims that died in custody from 2009 to 2020, with their names scrawled along the outline of the target’s circular bands to serve as a grim reminder of the aftermath of violent bigotry. The bleeding pottu in the centre of the model’s forehead paints a bleaker image as it represents her being the subject of constant scrutiny no matter where she goes.
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