The celebrated designer finds his own approach to painting: by pouring his art out
You may not want to go anywhere near Budji Layug when he paints. He puts one colour in a plastic tube dispenser, the kind that painting colours are packaged in, holds it and flails his arms away, splashing and splattering his chosen colour onto his canvas. “I paint outdoors most of the time because of the mess my style makes,” the renowned furniture and interior designer acknowledges.
But make no mistake about it; the splashes and the splatters are not done at random, not at all. “What may come out on canvas may be unexpected”, Layug says, “but in my mind, I know exactly what I want to do. My hand is guided by my mind and my heart.”
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Pouring is what he calls this brushless style of painting—brushless after he paints the background. “Experimentation brought me to the pouring technique,” Layug says. “I was in search of myself, of how far my creativity can go. And I am satisfied now.”
With more time on his hands because of the pandemic, he embarked on his artistic journey in earnest. He went back to the masters and reviewed their techniques, reaching the conclusion that he must discover his own style, “my own approach to painting”.
An artist known to have no qualms redoing his paintings (read: painting on them all over again), Layug evolved some of his early works using the pouring technique. Doing so, he created modern interpretations of traditional subjects like his Sabongero series.
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