Much of the artist’s recent work explores themes of hope and loneliness, and has been influenced by life during the pandemic. For an exhibition with Gazelli Art House in London which opened in May, Dawes created work based on three specific memories—one each with his wife, his father and a close friend who died. These memories prompted him to think about the loneliness experienced during the pandemic. “Loneliness is a big killer that no one really talks about, but it can destroy people,” says Dawes. “It was only when we couldn’t socialise during the pandemic that we realised it.”
Another piece, Pandora’s Variations (2021), which was auctioned at Sotheby’s last year, stemmed from the story of Pandora’s Box, the ancient Greek myth in which the titular character opens her box, inadvertently unleashing hatred, jealously, sickness and turmoil on the world. Produced in collaboration with American composer Logan Nelson and British choreographer and dancer Charlotte Edmonds, the work explores these four conditions—as well as hope. “People forget that at the bottom of [Pandora’s] box was hope and we should cling on to it,” says Dawes, drawing an analogy with current global challenges.
Dawes previously worked as a news photographer and at an electronics factory drilling holes into circuit boards. “It was really boring but it paid the bills,” he says, noting that he kept up his design and coding work on the side. “The whole time I kept thinking: how do I get out?” Eventually he got a job at a web design company and rose to the rank of artistic director, before going on to open his own design agency.
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